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| Wednesday, July 7, 2010 11:07 AM |
| The Take |
 by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 6/23. Beware spoilers!
New releases
Batman: The Return of Bruce Wayne #3
Blackbeard mistakes Bruce Wayne for The Black Pirate, despite the fact that it's obviously that other guy. Naturally they end up infiltrating the Bat-People's caves looking for treasure, and Bruce has to steer them through various traps, before finding past relics of his future self. "Whatever happens, Jack," Bruce says. "Never give up the fight." But years later, an older Jack says, "If I listen closely, I can still hear them now. The bells of the All-Over." Will Bruce really be the cause of apocalypse?? At the end of the issue we jump through time again and learn that next issue will apparently feature Jonah Hex versus a cowboy Batman. Awesome. This is a fun book, with Morrison getting to stick Batman in any time period he wants. It's also clever and eerie.
Thumbs Up
Fringe: Tales from the Fringe #1
I rather enjoyed the last series of Fringe comics, so naturally I picked up the first issue of this new series. Turns out it's another anthology book. The first story follows Peter in Iraq, before he became part of the Fringe gang, and reveals that he was really kind of a bastard. The second story is a weird time loop with shades of La Femme Nikita, in which a woman's glimpse of her future apparently causes that future to occur. Neither story is particularly bad, but neither is particularly imaginative or exciting, either.
Thumbs Sideways
Heralds #4
Luckily, Reed Richards has a black hole-stopping gun, so the problem from the end of last issue is quickly cleared up. Thanks, Reed Richards! Anyway, there's a bit more of an explanation as to why Frankie/Frances is the way she is (I guess the Silver Surfer made her a Herald of Galactus, and along with the power came part of the personality and self of previous Heralds?); there's some relationship drama; and then - uh oh, she's got the kid! Which is too bad, because I really like the way Valeria declares, "Popsicles. Let's go." But seriously, I'm sure she'll be fine. This issue is less interesting than the previous ones, as it's mostly a lot of screaming and melodrama, but it's still intriguing enough.
Thumbs Up
Incorruptible #7
Max's new buddy is going to get herself in trouble, dressing up in Jailbait's clothes like that. And what the real Jailbait's going to do now, I don't know. I was pretty bored with Max's fight with the white supremacist Plutonian supporters, but now that they've found his weakness and exploited it, things have gotten a little more interesting. Still don't like this art, though.
Thumbs Sideways
Joe the Barbarian #6
The metaphors get deeper as Joe finally makes his way to the Queen - his mother - who is still in mourning over the loss of the kingdom's great hero - Joe's father - and in serious denial about the war raging all around her. She wants to hole up in the castle where things are safe and ignore everyone and everything outside. Joe nearly embraces her melancholy paralysis, but then his friends seem to invade his world and drag him back to the fight. When all the heroes join them, it seems like things are looking up - but Joe is soon to come face to face with Lord Death himself. I have the feeling the last issue of this is going to be pretty shattering.
Thumbs Up |
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| Friday, July 2, 2010 11:30 AM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the weeks of 6/2, 6/9, and 6/16, as well as a handful of back issues. Beware spoilers!
New releases (6/2)
Avengers Prime #1
Another Avengers book? By Brian Michael Bendis? I thought I said I was going to stop buying these? Apparently not. This one seems to be squeezing its story between the end of Siege and the beginning of the other new Avengers books. Bendis is using it to attempt to establish Thor, Iron Man, and Steve Rogers as Marvel's major trinity of heroes. Our heroic trinity start out this book by bitching and moaning at each other for a bit, in such a way as to catch the reader up on recent events. Then, thankfully, they get sucked into a magical portal and sent to another world - or worlds; it's not clear if they've gone to totally different places or the same general place yet, as they've all landed in different locations. Each have their own separate adventures. Tony is approached by an unseen character, which is vaguely intriguing. Thor is attacked by the Enchantress, who spouts the usual villain cliches at him. Not very interesting. The best scene in the book, which is so good it almost makes me want to keep reading the series, is when Steve Rogers stumbles into an inn full of monsters, politely asks for their help, and then politely kicks all of their asses, to their own incredulity - how could one little human beat them all?? Because that human is Captain America, that's why! Very enjoyable.
Thumbs Sideways
Heralds #1
A new miniseries from Kathryn Immonen! I often find her writing a bit opaque, but also very intelligent, creative, and unique. This book opens with Emma's surprise birthday party being interrupted by a mysterious event that's hard to explain, but which involves an alien intelligence, a bunch of clones in a secret S.W.O.R.D. facility, and a waitress going berserk. The gang of ladies who show up to Emma's surprise party are our main characters for the series, and they're a fun bunch, especially the way Immonen writes them and Tonci Zonjic draws them. The dialog is snappy, sarcastic, and witty, and I really enjoy the enthusiasm with which the girls go after the dead scientist clones. "Come on! Haven't you always wanted to punch Einstein in the face?" I'm not sure exactly what's going on, but I like it!
Thumbs Up
New releases 6/9
Astonishing X-Men: Xenogenesis #2
I really love the way Ellis and Andrews are using Emma Frost in this book. Very funny stuff. Scott says to her, "You're... holding a baby." She responds, "Full marks, Mr. Summers. Save any further comments for a time when I can beat you in private." Story-wise, looks like Ellis is dragging the Ghost Boxes back into it again. I have to say I'm a little tired of those, but I'm willing to hear him out.
Thumbs Up
Batman #700
For this special, extra-long anniversary issue, DC wisely turned the reins over to the best writer in their stable: Grant Morrison. Morrison delivers four separate short stories, each set in different time periods, but each dealing with part of the same overarching locked-room mystery. The time travel aspect of the story just kind of hurts my brain a little, but I think I follow what's going on. I also think I know the answer to the story's central riddle (the answer - spoiler alert! - is time). Regardless, it's a joy to read, as Morrison gets to play with every version of Batman there is - Bruce, Dick, Damian, Terry, and even a couple of post-apocalyptic Batmen, one living in a world that reminds me of Miller's Dark Knight Returns (the mutant gang from that book makes a cameo in the present day timeline), and another living in a world that reminds me of Philip K. Dick's Do Androids Dream of Electric Sheep? Also along for the ride are a lot of Batman's most famous villains and allies, in various guises and incarnations. Morrison tosses in his usual handful of truly insane and amazing ideas, like time hypnosis helmets, and 2-Face-2, a new version of Two-Face who has two coins and a separate monster face living on his own normal human face. And of course every version of Batman gets to engage in the usual combination of brilliant detective work and bad-ass fighting. There's also a truly great, uplifting ending, promising us that no matter what or when, there will always be a Batman. Amen!
Thumbs Up
Buzzard #1
Eric Powell's strength is in wild, off-the-wall, offensive comedy, but for some reason he insists on writing morbid, melodramatic stories about humorless, moping, emo characters. This is another one of those. Still, it has its moments. It's certainly not as melodramatic as it could be, and it's vaguely intriguing. In the back is a continuation of the story Powell began in Billy the Kid's Old-Timey Oddities. Again, kind of interesting, but not terribly exciting.
Thumbs Sideways
Captain America #606
We pick up with Bucky still trying to deal with the guilt over what he had to do to crazy Cap. But he needs to get his head back in the game soon, because Baron Zemo is putting the band back together. A fun start to a new storyline.
Thumbs Sideways
Gravel #19
Finally we get the creepy, twisted backstory on Gravel's latest mysterious enemy. He manages to hit Gravel where it hurts, and then somebody else - possibly another combat magician working for the British government? - sneaks in and steals a lot of Gravel's stuff. It's a hard day to be Gravel!
Thumbs Up
S.H.I.E.L.D. #2
Still really enjoying this series. This issue reveals there are two factions of S.H.I.E.L.D. - the Da Vinci faction, which believes there's always a way forward for humanity, and the group currently in charge, which believes there's an inevitable end for humanity that we must move toward. It's cool stuff. There's an interesting moment where the comic gets all postmodern and turns into a plain text script, as if Da Vinci and our young hero are passing through different story formats in their journey. I also love the surreal scene in which Agent Richards reaches for the exploding Night Machine, in a heroic attempt to save everyone, and it seems as if every member of S.H.I.E.L.D. throughout past and future is reaching with him. Like I said about Heralds: I'm not entirely sure what's going on, but I like it.
Thumbs Up
The Unwritten #14
This issue opens by giving us a peek at the hilariously awful and cliched fake Tommy Taylor book, which makes a bunch of deliberately clumsy references to the His Dark Materials trilogy. We also get to see Lizzie using another method of communicating with Wilson, and the conspiracy's method of tracking it - "Someone's touching the grid." Then it turns out Savoy is still alive, but he's not exactly himself anymore - Count Ambrosio is looking out through his eyes. Meanwhile, Pullman casually kills an innocent stranger by turning the ladder he's climbing into insubstantial words. It's all brilliant, creative stuff, thrilling and disturbing. But with Lizzie gone back to where she came from, how will Tom make it on his own? I look forward to finding out.
Thumbs Up
New releases, back issues, and old data (6/16)
Heralds #2 & #3
I love the news report at the opening of #2, in which we learn S.W.O.R.D.'s hilarious cover story for the events of the previous issue: "Cirque Du Soleil has claimed full responsibility for the late night appearance of scientist-impersonators, aliens and dinosaurs!" She-Hulk's comment: "Puppets can make the bravest of us panic." Later, Patsy learns she missed out on a chance to fight a clone of Hitler and is very upset. Valkyrie has some amusing outbursts. I also like that Scott parked the Blackbird parked on top of the hotel for Emma. And Scott owned a Miata. Hee! Next up are some weird moments for Johnny Storm, including a short stay in a surreal mental landscape where Johnny and Frankie fight about their relationship. Did I mention I really love the art in both issues? Seeing the Thing and Valeria prance into the Baxter Building both wearing pink princess hats is wonderful. Patsy also expresses a truth about how weird it is to be a superhero: "We've all had other lives." Finally, it turns out it's a bad idea to shoot a former herald of Galactus with a big space gun, because it can turn her into a black hole. Whoops! All-in-all, good stuff. An interesting mix of humor, intense drama, sci-fi action, and complex character development.
Thumbs Up
The New Avengers #1
Yes, another Avengers book by Bendis. I just can't resist them for some reason! This one explains how there can possibly be yet another Avengers team - turns out there's still some bad blood between the former renegade Avengers and the former official Avengers. Anticipating this, Tony and Steve sell Luke Cage and his buddies the newly renovated Avengers Mansion for a dollar and let them be Avengers over there, on their own terms. "Who do we get?" Luke asks. "Who do you want?" Steve answers, then quickly adds, "You can't have Thor or Iron Man." Heh. Meanwhile, some evil entity is going around possessing people. And at the end it makes Luke really big somehow? I don't know. It's your typical Avengers-level threat, I suppose. I don't think I need to read this book anymore. It has its moments, but it also has lots of Bendis-speak. Yuck.
Thumbs Sideways
New Mutants #13 & #14
Zeb Wells' New Mutants is currently being taken over by another of those multi-book mutant miniseries that seem to happen every other week. However, I don't collect any of the other books involved, which means these issues are two parts of a much larger story of which I haven't read any of the other parts. The laughably long "Previously..." summary at the front of each issue helps, but I still feel a bit lost. The short version is that that whole thing with Cable and Hope - the girl who's supposedly the last hope for mutantkind - is coming to head. Hope is now an annoying teenager, and the villains are trying to eliminate all the teleporters for some reason, which means lots of famous mutants are getting offed. Also, turns out Cyclops can kill people with his eye beams when he wants to. Huh.
I like the idea of using Legion against the enemy - dangerous but cool. And I like the art during the Legion sequences. But hey, dude, what the hell is with Rogue's costume? I know women superheroes tend to have ridiculous costumes, but jeez. Meanwhile, the mutants end up in a typical hopeless-looking last stand. A bit cliche, but reasonably well handled here. I also like the very ominous giant Sentinel thing that Wolverine and friends are fighting in the future. And how bad-ass Magneto is at the end. I'm not a fan of these big mutant storylines, but with the exception of a few cheesy sequences, Wells handles his part of it pretty well.
Thumbs Sideways |
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| Tagged (?): Avengers (Not), Batman (Not), Brian Michael Bendis (Not), Captain America (Not), Comic books (Not), Ed Brubaker (Not), Eric Powell (Not), Grant Morrison (Not), Gravel (Not), Mike Carey (Not), S.H.I.E.L.D. (Not), The Take (Not), Warren Ellis (Not), X-Men (Not) |
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| Wednesday, June 9, 2010 01:36 PM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 5/26. Beware spoilers!
New releases
Batman: The Return of Bruce Wayne #2
Bruce finds himself in Puritan times fighting a giant Lovecraftian monster with a sword. Which, right there... I mean, let's just stop and consider that sentence. That's awesome. Anyway, he's rescued and nursed back to health by a witch woman who, it turns out, called the monster forth in the first place. She's of the Bat-People, and has a necklace with Wonder Woman and Superman's symbols on it - probably derived from the symbols Bruce himself painted on the cave wall in these parts all those ages ago. "My devils are the old lords of the land and the sky," she tells him. "Gods of the Wheel of Time and the Never-Ending World. And all the spaces beyond." Uh oh, that doesn't sound good. Meanwhile, the Justice League jumps to just before the end of the universe in the hopes that they can look back on the universe's timeline and find where Batman has ended up. Another great, mind-blowing Grant Morrison idea. We get to see the origin of the painting of "Brother Mordecai," which, if I remember correctly, hangs in Wayne Manor in the present. Bruce's time-jumping seems to be linked to eclipses for some reason. And then the big revelation: Bruce has somehow made it to the end of time and taken the identity of the archivist there, all so he can steal the Justice League's time sphere and get back to his own time. He ignores Superman's desperate warnings: "He took your memories, relied on your survival instinct... you've been booby-trapped! Darkseid turned you into a doomsday weapon and aimed you directly at the 21st century!" Yeah, okay, that's awesome. And it even sort of makes sense - Darkseid didn't kill Bruce, he turned him into a failsafe world-destroyer, just in case his original plot failed. There's also a creepy time-looping curse: Bruce manages to slay the "dragon" using just a sword (because he's just that bad-ass), but he can't save his witch-woman. She dies cursing her executioner, who just happens to be Nathaniel Wayne. "My curse on you and all your kin! Until the end of time!" She's unwittingly cursing the man she was desperate for them to save: Bruce Wayne. Who now finds himself thrown across time again, right into the hands of the pirate Blackbeard. Awesome.
I truly love this series. It's classic Morrison: tons of crazy awesome ideas thrown at you all at once. He tells you just enough for you to work out what's going on, then rushes onward.
Thumbs Up
Incorruptible #6
I think this was probably the worst issue of this comic yet, and I think it has a lot to do with new artist Horacio Domingues. His work is just childish and cartoony, and the expressions on the characters' faces are exaggerated and overly emotional. It doesn't suit the material at all. All that being said, the writing here isn't too good, either. There's a lot of overwrought, melodramatic, and cliche dialog, especially during Jailbait's suicide attempt. That last scene is pretty over-the-top, too. Hopefully things will pick back up with the next issue.
Thumbs Down
Secret Avengers #1
Not content with starting just one, gigantic, 25-member Avengers team, Steve Rogers has also launched a smaller, secret Avengers team to handle black ops missions. Oddly it includes some of the same members as the larger team. Could they make this more confusing? Anyway, the secret team's first mission sees them intercepting an alien artifact that puts them on a trail that leads to Mars, where an even more dangerous, companion artifact is awaiting them. Both artifacts seem to have the power to turn former allies into enemies. The story is intriguing and fun, but the dialog and art are surprisingly clumsy. I expect better writing from Ed Brubaker, and better art from Mike Deodato. Valkyrie's and Black Widow's outfits cling to them in ridiculous ways in the opening fight sequence, and there's a panel near the beginning where Steve Rogers is supposed to be smiling casually that's just horrific - it looks like he's making some kind of hideous death grimace. On top of all that, the Secret Avengers team is mostly composed of characters I don't care that much about. Sure, Steve Rogers, Beast, and Nova are cool, but Moon Knight, Sharon Carter, Black Widow, Valkyrie, and War Machine are all pretty dull. I'll hold off judgment on the (redeemable) Ant Man, as I'm not too familiar with him. Anyway, I'm not crazy about this issue, but I might stick with the series for now and see where the story goes.
Thumbs Sideways
The Terminator: 2029 #3
This is the last issue of this series! I didn't realize it was only going to be three issues long! Thankfully it's just the prelude to another three-issue miniseries, done by the same creative team, that continues the story, but in a different year: 1984. Hoo boy! It's nice to see Ben and Paige getting together, and it's cool how future-Reese convinces Ben he's telling the truth. It's also interesting that Ben can't see past his current happiness to what's really important, until that happiness is taken away. I feel like it's a little cheap to introduce Ben and Paige's relationship only to tear it apart in order to give Ben motivation to complete his mission, but... it's done relatively well, with some effective narration, and Paige did feel like a real person while she was around, so I'll allow it. I like the way the comic fills in gaps in the original story, showing us Reese volunteering for the mission to protect Sarah Connor. We even get to see John sending him back. But there's an extra and interesting new element added: the older, future Reese claims he woke up after the fight with the T-800 in the factory (which took place at the end of the first movie) and was then imprisoned and questioned by machines. How could that have happened? In the movie he seemed pretty clearly to have died. Is this a different timeline? Or when his body was taken away at the end of the movie, did someone intercept it and revive him? I'm interested to see how they'll explain this, and of course to see how they weave Ben's story into the story of the original movie.
Unfortunately, there is a rather large continuity error here. In the movie, Reese said the time travel equipment was destroyed as soon as he went through, but that doesn't happen here, and in fact no such plan is even mentioned; instead, after Reese is sent back, John just leaves the machine sitting there and Ben and future-Reese have no trouble sneaking in to use it again. Which doesn't even make sense. I mean, who'd leave a time machine just sitting around? It's a disappointing logic error in what's an otherwise strong story.
Thumbs Up
Thor #610
The cover of this comic is labeled "Siege: Epilogue," and indeed that's all this issue really is: an epilogue to Siege. There's a two-page spread that nicely summarizes the end of Siege using six panels, mostly primary colors, and a handful of short phrases. It's better than reading the real thing, actually! Then we get Balder brooding, and trying to give the throne back to Thor, who wisely refuses, so he can go on kicking ass as the Thor we know and love. There's also a subplot with this Kelda lady who I still can't quite figure out. Apparently she used to like some dumb-ass named Bill? And now they're separated forever? I don't really care. Anyway, Thor finally gets to have it out once and for all with his clone, and that's kind of fun. But really this issue is just cleaning up old plot lines so we can move on to new stuff in future issues, so it's kind of dull and disappointing.
Thumbs Sideways |
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| Tagged (?): Avengers (Not), Batman (Not), Comic books (Not), Ed Brubaker (Not), Grant Morrison (Not), Kieron Gillen (Not), Mark Waid (Not), Terminator (Not), The Take (Not), Thor (Not), Zack Whedon (Not) |
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| Wednesday, June 9, 2010 09:07 AM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 5/19. Beware spoilers!
New releases
The Avengers #1
Siege is over, and all the old Avengers books have been killed - which means it's time to relaunch the Avengers, with Brian Michael Bendis as writer and John Romita Jr. on pencils! We open far in the future with some young Avengers casually wasting a very angry villain. Then we jump back to the present where Steve Rogers is assembling his ridiculously huge Avengers team. Seriously, we're talking like 25 people here. That's out of control. One of the more interesting scenes sees the now totally dark and bad-ass Wonder Man refusing the call, and arguing that the Avengers were behind all the recent problems with the world, and it's time for them to go away. He's actually got a pretty good point. Of course, as is de rigueur at this point, as the new Avengers are assembling for the first time, a villain shows up to challenge them. But in this case he's less challenging them and more warning them that they need to stop their kids from ruining the future. ("What happens to us in the future? Do we become assholes or something?" "No, it's your kids, Marty! Something's got to be done about your kids!") The reveal that the big villain in the future is actually an old, white-haired Hulk is an intriguing surprise, but mostly this comic just feels tired and dull. Avengers assemble, blah blah blah, huge threat to the world in the future, blah blah blah, unexpected villain revealed, blah blah blah. I like Romita's art, but the sequence at Avengers headquarters where Bendis has the new team all gabbing at each other in patented Bendis-speak dialog is really pretty hard to take. I'm just tired of this guy as a writer. I don't think I need to read any more issues of this comic.
Thumbs Down
Enter the Heroic Age #1
The relaunch of the Avengers is part of a whole new wave of Marvel books called "The Heroic Age," and this is a one-shot preview sampler of all those books. First up is Avengers Academy, which is written by Christos Gage, and is thus predictably bad, with plenty of cheesy narration. Next is Jeff Parker's Atlas. I know everybody loves Jeff Parker, but for some reason I just can't get into his work, and the Agents of Atlas just don't do it for me; even with the robot and the talking monkey, I just find them boring. Black Widow I already tried and didn't like, and the few pages included here didn't change my mind. Hawkeye & Mockingbird looks like kind of a cute spy duo action book, with plenty of secrets and lies, but I don't know. It's too much like Mr. & Mrs. Smith. Last up is Jeff Parker's Thunderbolts. This looks like it's going to be about Luke Cage building a new Thunderbolts team out of the latest crop of captured supervillains, which is vaguely intriguing. But like I said, I'm not a big Parker fan, so I'll pass.
And that's it for that! Guess I'm not going to be reading anything in the Heroic Age! Another note: I feel like now that they've got Steve Rogers back they're overusing him a bit. If I'm not mistaken, he's a member of every new Avengers team, and has his fingers in the Thunderbolts and other organizations, too. When is the guy going to have time to sleep?
Thumbs Sideways
Galacta: Daughter of Galacuts #1
I'm not sure what possessed me to buy this one-shot. I guess it was just the ridiculousness of the concept: Galactus' teenage daughter, living incognito among us, protecting Earth from alien threats by eating them, and trying to avoid the temptation to eat the Earth herself. It's kind of a cute story, but good lord is this woman talky and repetitive.
Thumbs Sideways
Girl Comics #2
At the end of my review of Girl Comics #1 you'll find this sentence: "I doubt I'll pick up another issue of this book, unless something really sticks out when I flip through it in the store." Despite this claim, and despite the fact that nothing really did stick out when I flipped through #2 in the store, I bought it anyway. What can I say, it was a slow week. We open with another of Colleen Coover's cute, inspiring intros, then move on to a possibly even cuter story by Jill Thompson about Crystal of the Inhumans trying to give her teleporting dog a bath. Then Kathryn Immonen and Colleen Coover team up to give us a story about a superhero I had never heard of before named Molly Fitzgerald and her hair salon for superheroes. I know I'm overusing the word "cute," but... yeah. That one's cute, too. There's a pretty dull two-pager from Stephanie Buscema about Doctor Doom and Sue, then an amusing story about the superhero's natural temptation to do evil by Faith Erin Hicks. I particularly like the art on this one, and Cris Peter's colors. The two-pager featuring superhero classified ads is pretty unimaginative, and the Doctor Strange story is just kind of odd. Overall another anthology that's just okay. I don't know why I keep buying these!!
Thumbs Sideways
Joe the Barbarian #5
Argh! Morrison tugs my animal-loving heartstrings here, just like he did in We3, by putting Joe's pet mouse in deadly danger. He'd better be okay! Regardless, the fight between Jack and the dog, which takes place in both worlds, is really well done. Meanwhile, Joe finally gets around to calling his Mom, but unfortunately it doesn't look like help is going to come from that direction. Luckily the cavalry shows up in the last panel, although what kind of cavalry it is exactly is unclear. Another fun issue, although not as good as some others.
Thumbs Sideways |
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| Monday, June 7, 2010 10:47 AM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 5/12. Beware spoilers!
New releases
Astonishing X-Men: Xenogenesis #1
Warren Ellis returns to play in X country again for a new five-issue miniseries. This time he sends the team to Africa to investigate a mysterious rash of mutant births. Along the way, he highlights some of the more awful and violent parts of the socio-political history of Africa, and has the characters banter with each other in highly amusing ways. ("There's beer on the plane, Logan.") I thought from the sample of his art on the cover that I would dislike Kaare Andrews' work, but I actually enjoy it quite a bit. It's exaggerated in a funny, clever way that fits Ellis' writing well. I particularly like how he's highlighted the ridiculousness of Emma Frost's figure and costume. A good start to the series!
Thumbs Up
B.P.R.D.: King of Fear #5
This issue reveals the horrific consequences of the events of the previous issue, and they are pretty shocking. Apparently Liz's most recent use of her powers really was nearly apocalyptic in its strength, and incredibly draining for her. Our heroes were teleported out of harm's way, but many thousands of people were not. Zinco is back and making some seemingly humanitarian gestures which no doubt have evil motives behind them, and one of Abe's old "friends" is still puttering around underwater in his big metal diving suit. Speaking of Abe, it makes me sad that Devon doesn't even want to be near him anymore, but considering what the Black Flame said about the guy, it's hard to blame him. In one of the more interesting subplots, it looks like reality is about to come crashing down on B.P.R.D.'s head. When you read these stories, you don't think much about the political consequences of the epic events that take place, but obviously the huge, world-altering supernatural things that have been going down would put B.P.R.D. on the spot, and they'd have to answer to somebody. But what starts as a dressing down turns into a sort of promotion. This should make the future of B.P.R.D. pretty interesting.
I like that they don't spell everything out for you in the Hellboyverse, but at the same time, I felt a bit lost after reading this issue. What exactly happened, and why? And who was the dude with the red hand on his face again? And what's going to happen to Liz now?? But maybe all that will be answered in future issues. Or maybe I should go back and read the old issues a bit more closely.
Thumbs Up
Batman: The Return of Bruce Wayne #1
Bruce is back!! This first issue of Grant Morrison's six-issue miniseries picks up right where Final Crisis left off, with Bruce hanging out with a dying old man in a cave and drawing some familiar-looking graffiti on the wall. It looks like when Bruce's corpse was shot off into space along with other artifacts of the dying Earth, he was somehow resurrected? And sent back in time? I assume they'll explain that in more detail later. Anyway, by the end of this issue, it becomes clear that he's going to be leapfrogging forward in time at random moments, sort of Quantum Leap-like, and the Justice League is going to be following him. Superman says if he makes it to the present he could destroy the universe! Another thing I assume they'll explain later. Meanwhile, we can enjoy the fun of Batman-through-time! In this issue, he fights cavemen, gets himself a caveman Robin, and experiences a weird summarized, nightmare version of his superhero origin story. Then it's forward to Puritan times where he'll fight extra-dimensional monsters with a sword! Excellent.
Thumbs Up
The Marvels Project #8
The final issue of this miniseries gives us an interesting look at the Marvel Universe version of the attack on Pearl Harbor, and the very end brings us full circle in a satisfying way. But I have to repeat the same complaint I've been making about this series for the past couple of issues: there's far too much summarizing via narration and far too little actual comic book story-telling. They either needed to take more time and more issues to tell this story the right way, without clumsy, expository summarizing, or they needed to tell a smaller, shorter story in a tighter, more economic fashion. I like the concept of this series, and the art, but overall it's a disappointment, and doesn't live up to its potential.
Thumbs Sideways
The Sentry: Fallen Sun #1
Oh sweet lord, what an awful, awful comic this is. I had to force myself to even skim it. It's another of these one-shots, which are becoming woefully popular lately, where we spend an entire comic at the funeral of the latest dead superhero (whom we all know will be brought back to life in a year at the most anyway), and get to wallow in grief for over twenty pages. It's a really cheap way to elicit emotion from the audience. I'm not saying it can't be done well, but it certainly is not done well here. There is zero subtlety in Paul Jenkins' overwrought, ridiculously melodramatic writing. Tony's agonizingly long and awful speech about alcoholism and addiction and friendship is practically unreadable. And there are plenty more speeches of similar quality. What makes the book particularly odd and ineffective is that these characters are all speaking lovingly of events that I've never heard of before and that I'm pretty sure were never even dramatized in a comic before, because they were all retconned into this universe via the Sentry's origin story. Regardless, this comic is so full of corny, overly earnest, cliched dialog that it's totally unbearable. It's an embarrassment.
Thumbs Down
Siege #4
I expressed surprise in my review of New Avengers #64 that I learned about Loki's final double-cross in the pages of that book instead of in the pages of the main Siege miniseries. Well, this last entry in said miniseries finally explains Loki's actions. It's pretty much another version of the end of Secret Invasion, with one of the traditional Marvel villains stepping up to help the heroes defeat an even more dangerous villain. It's also, as I guessed from New Avengers, pretty much a literal deus ex machina. It's really quite lame. Basically this comic involves the heroes hitting a guy until they've finally hit him enough that he stops moving. Then Cap gets Norman Osborn's job. Yawn. Olivier Coipel's art is excellent, but I'm really tired of Brian Michael Bendis. His writing is just not very good, and the whole Siege story is tired and cliche. The Sentry character arc, for instance, is just a repeat, not only of many other, better stories about many other, better characters, but of stories that have already been told about this very same character. The same could be said for the Siege story as a whole. It feels like Bendis is just recycling the plots from Civil War and Secret Invasion because people seemed to like those. How about we try something new, huh?
Thumbs Sideways
Star Trek: Leonard McCoy, Frontier Doctor #2
Another intriguing medical puzzle for everybody's favorite grumpy frontier doctor, this time with a cameo from Scotty. The solution to the puzzle involves the behavior of an ancient transporter system, and is pretty standard Trek stuff, but like I said about the first issue, it's really just fun seeing these beloved characters in action again.
Thumbs Up
The Unwritten #13
This issue opens with an intriguing look into the traditions and secrets of "The Order," and gives us a better idea of what's really going on. The two-page spread in which Tom sees a crowd of people rear up like a giant monster is very cool. We figure out who Richie is really working for just before he gets taken out of the picture for good in a really horrific manner. Damn! I was just starting to like that guy. But hey, it's fun meeting Frankenstein's monster again. All-in-all, another enjoyable issue.
Thumbs Up |
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| Tagged (?): B.P.R.D. (Not), Batman (Not), Brian Michael Bendis (Not), Comic books (Not), Ed Brubaker (Not), Grant Morrison (Not), John Arcudi (Not), John Byrne (Not), Mike Carey (Not), Mike Mignola (Not), Siege (Not), Star Trek (Not), The Sentry (Not), The Take (Not), Warren Ellis (Not), X-Men (Not) |
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| Wednesday, June 2, 2010 12:03 PM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 5/5. Beware spoilers!
New releases
Astonishing Spider-Man & Wolverine #1
This is the start of a six-issue limited series by Jason Aaron, with art by Adam Kubert. It's rather an odd story in which Wolverine and Spider-Man are sent back in time, apparently by accident, to just before the extinction of the dinosaurs. The time travel happens in the middle of a bank heist - a heist, I might add, being pulled off by The Orb and his gang; it's nice that Aaron is giving work to the weird old Ghost Rider villains he recently resurrected. Anyway, after some time in the past - long enough to seriously screw things up and come face to face with various other strange mysteries - our heroes jump in time again, this time to a twisted future ruled over by war-like people riding Devil Dinosaur robots. Whoops. Obviously there are some cool ideas in here, but for whatever reason - maybe the tons of narration and the depressing apocalyptic tone - the book just didn't grab me. I don't think I'll be collecting the rest of the issues.
Thumbs Sideways
Batman and Robin #12
Good lord, I love Grant Morrison. In this issue, Dick Grayson and Slade Wilson fight both face-to-face, and across a distance with Damian as the go-between. Wayne Manor is discovered to be a bat signal sent across time. The crazy, cold-as-ice Talia Al Ghul reveals she has had a backup Damian all ready to go, just in case he should choose to betray him. And indeed he does, choosing to remain as Robin and side with Batman. She tells him he is now an enemy of the House of Al Ghul, and he responds, "I hope I can be a worthy one, mother." Awesome. Meanwhile, Dick seems close to working out the riddle of Bruce's adventure through time. And, the big shocker: Oberon Sexton turns out to be, not Bruce Wayne, but the Joker! I did not see that coming at all. I'm not sure it makes a lot of sense, either, as Sexton is a pretty serious guy, and a good fighter. But then again, the Joker has been through a lot lately, and maybe Morrison will explain further in the next issue. Regardless, fun!
Thumbs Up
Buffy the Vampire Slayer: Season Eight #35
You can pretty much take my review of #34, copy it in here, and apply it to this issue, as well. One good thing about this issue: at least the decision that Buffy and Angel make at the end feels right and fits their characters, even if almost nothing else they've done recently in this story arc has been true to character. Of course they would give up any hope of peace in an eternal paradise where they're ultimately powerful in order to return to Earth and help their friends in a hopeless fight against hordes of monsters. That's what they always do. As Buffy says, "I never do what I'm meant for." But that still doesn't explain why Angel became Twilight and did all this crap in the first place. I guess we're still going with the dumb excuse that "the Universe" made him do it. Ugh.
Thumbs Down
Hellboy in Mexcio
Mike Mignola and Richard Corben team up again for another amazing Hellboy one-shot. This one has a frame story set in 1982 Mexico. While Abe and Hellboy are waiting for pickup, babysitting a mysterious monster locked in a suitcase, Hellboy tells Abe a sad and wonderful story about the last time he was in Mexico, back in 1956, when he joined a trio of Mexican wrestler brothers in fighting a bunch of local demons, and then ultimately ended up wrestling for the soul of one of the brothers. There's the suggestion that he spent a couple of months after that doing some professional wrestling himself. It's a classic Hellboy story, funny and subtle and moving and creative, fantastically illustrated by Corben.
Thumbs Up
Incorruptible #5
Looks like this title just got a new artist. His name is Horacio Domingues, and sadly I don't think his exaggerated, cartoonish style really fits the serious tone of the book. That being said, this issue is still pretty interesting. A new character is introduced, and Max's protective feelings for Jailbait become better defined even as she gets herself into greater danger.
Thumbs Sideways
Irredeemable #13
Hey, there was a new issue of each of Mark Waid's one-word-title-that-starts-with-an-I books this week! This one's useful in that it goes back and better explains some of the more recent plot twists, but mostly it just feels like filler, and a pause in the action. Which is slightly disappointing.
Thumbs Sideways
S.H.I.E.L.D. #1
Holy crap did I love this comic. It's an epic, thrilling, and creative reimagining of what S.H.I.E.L.D. is. It turns the organization into an ancient secret society that's existed since the beginning of civilization. The strongest and wisest men of each generation have been members, and have acted to protect the world from various alien invasions. The rather disturbing part is that they seem to be only postponing the destruction of Earth - preparing the planet for some other mysterious final doom. The writing is wonderful, with fantastically over-the-top dialog, and I love how famous historical figures are tied into the story, and shown using impossible inventions and weapons to fight infamous Marvel space villains. Then there's the unexpected appearance of Agent Richards and Agent Stark, not to mention Leonardo da Vinci. They're building a really interesting mythology here, and the fascinating diagram of "The Human Machine" in the back of the comic only adds to the mystique. Excellent stuff! I will definitely be collecting the rest of this series.
Thumbs Up |
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| Tagged (?): Batman (Not), Buffy (Not), Comic books (Not), Grant Morrison (Not), Hellboy (Not), Jason Aaron (Not), Mark Waid (Not), Mike Mignola (Not), S.H.I.E.L.D. (Not), Spider-Man (Not), The Take (Not), Wolverine (Not) |
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| Monday, May 31, 2010 08:13 PM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 4/28, new releases from Free Comic Book Day, and also a bunch of old stuff the comic shop wanted to get rid of and therefore put up for grabs on Free Comic Book Day. It was quite a pile of books, and I've been a bit busy lately, so I'm afraid it took me longer to get through them and write them up than usual. I can't say when or if I'll be able to catch up on all the other books that came after these, either. But I'll do my best!
As usual, beware spoilers!
New releases
Buffy the Vampire Slayer: Season Eight #34
Wow. I was a little surprised at first when I started reading this Buffy arc by Brad Meltzer and it wasn't terrible, given how much I've disliked Meltzer's work in the past, but now his awfulness has finally reared its ugly head, and in spectacular fashion. Then again, I'm not sure how much of this I can really blame on him, as I assume the general shape of the story was already laid out for him by Joss and company, and it's mostly the story itself that's bad. I mean, Angel and Buffy having graphic sex for an entire comic? It's kind of gross. And what the hell are they doing having sex in the middle of everything anyway, when Buffy should by all rights be kicking Angel's ass, seeing as how he's been a villain committing MASS MURDER for the entire Season? And why the hell was Angel committing doing that anyway? I still need answers to these questions!! But instead they just throw a lot of really lame bullcrap at us about "the Universe" and how it has manipulated everyone and everything in some really hand-wavy fashion, and manufactured this entire plot line (in fact, very possibly the entire history of reality so far) just so that Buffy and Angel will have sex and thus elevate themselves to some new level of existence, destroying the old one in the process. That's lame. Seriously, seriously lame. It sounds like Angel actually had some inkling this is what was going to happen. But why would Angel ever be so selfish as to deliberately kill thousands of people and possibly destroy an entire universe just so he can get lucky with his ex and have some peace and quiet for a change? I just don't buy it.
Thumbs Down
Captain America #605
A fun and slightly sad conclusion to the Captain America vs. the Tea Party storyline, ending with a classic comic book fight on top of the Hoover Dam. I'm sure we haven't seen the last of crazy '50s Cap. (I didn't even bother reading the Nomad backup story; that shit is terrible.)
Thumbs Up
New Avengers #64
Now we get to see the events leading up to the Fall of Asgard from the perspective of The Hood. So I guess we're going to get to see the same events from the perspective of every single character in the Marvel Universe eventually. Sigh. Anyway, what we learn in this run-through is that Loki pulled a literal deus ex machina, took The Hood gang's power away from them, and gave it to the good guys. I'm not sure why that happened, or why I haven't already read about it in some other, more important comic book (like Siege #3 or something). It's a confusing twist, and I'm not sure what I'm supposed to feel when I look at the final panel of this comic, which is a picture of The Hood's girlfriend's gold mask with The Hood's face reflected in it. I can't say I find either of these characters all that interesting anymore. I mean, The Hood's story so far has been that he got magic power, and then he lost it, and then he got magic power again, and then he lost it again. Yawn.
Thumbs Sideways
Siege: Secret Warriors #1
This is a pretty cool one-shot revealing what Phobos, the God of Fear, did when he learned of the death of his father, Ares. Basically, he flips out, kills a lot of Secret Service agents, and then drops a really bitter, angry, well-written letter on the President's desk. In between, there is a truly hilarious and fantastic scene in which Nick Fury and Steve Rogers - the two bad-ass old campaigners - have a casual conversation about hanging out in the middle of the Siege of Asgard. I loved this scene so much I can't even tell you. It's ridiculous and warm and funny and hardcore all at once, and really wonderfully illuminates these two characters. Surprisingly good one-shot!
Thumbs Up
The Terminator: 2029 #2
We open with a gigantic firefight, and then we get to meet an interesting new faction of humanity: a lone wolf pack who don't follow John Connor, but just go roaming around the wilderness hunting machines. It's a different philosophy of the post-apocalypse than we've seen before, and brings up some interesting questions. Do you take the risk of settling down - building families and making connections - or do you go off on your own, avoid connections, and fend for yourself as best you can? The same conflict of philosophies is on display between Paige and Ben - Paige wants to shut herself off from everyone, because she's afraid to be hurt again and lose someone else who matters to her. But Ben is willing to take the risk. And finally Paige takes it with him. But then something unexpected interrupts them: the old man Reese saved from a machine outpost turns out to be a future version of himself, who asks for Ben by name! Woah. Clearly this Reese is from some other timeline than the one we know. Either that or he's just some crazy guy. Either way, I'm intrigued! This is good writing, and an exciting story.
Thumbs Up
Thor #609
Lots of exciting action and god-fighting in this one. Plus Loki gets some good lines: "I am Loki, the fire that burns. And why does the fire burn? I know not. But I am he." He admits to having fashioned the plot that led to the Fall of Asgard, but claims he didn't think it would go this far. Balder gets all bad-ass, and exiles Loki, but in fact it looks like that may have been part of Loki's plan all along. That tricky guy. There are some corny moments in this issue, but all-in-all it's pretty entertaining.
Thumbs Sideways
FCBD new releases
Bongo Comics Free-For-All!
Despite the title, which would seem to suggest that this is a sampler of various comic titles put out by Bongo, it's actually just a handful of Simpsons stories. They're all mildly amusing, with one or two decent gags, but there's none of the true comic brilliance from the show's heyday.
Thumbs Sideways
DC Kids Mega Sampler 2010
Yep, these are some DC kids comics. Nothing very exciting. I like Art Baltazar's exaggerated art style, and Batman has some fun lines about his desire to punch things in the final story, but that's about it.
Thumbs Sideways
Doctor Solar: Man of the Atom/Magnus: Robot Fighter
These are previews of two new titles from Dark Horse Comics, both written by Jim Shooter. The first is simply awful. Incredibly cheesy writing, totally lacking in subtlety, and a story that's entirely unimaginative. It's reminiscent of every superhero origin story ever, but the character is probably most similar to a really boring version of Doctor Manhattan. Robot Fighter is slightly more interesting, as it has a quirky sense of humor instead of just being painfully earnest. Plus, the story's not as dull and lacking in creativity as Doctor Solar; here we've got a human being who's somehow strong enough to fight rogue robots, but he also has a robot friend, and can interface with the robots in a limited way. That's not to say this is a really good comic; the relationship between the main character and the story's only woman is the classic contentious, they-hate-each-other, they-love-each-other dynamic. And the plot ends up being pretty dull. You can bet I won't be collecting these comics when they start asking you to pay for them.
Thumbs Down
Green Hornet
This book contains previews of most, if not all, of Dynamite's many Green Hornet-related titles. First up is part of Kevin Smith's awful Green Hornet book, which I already read and hated, so I skipped over that. Next up is Green Hornet: Year One, which has some nice art by Aaron Campbell, but pretty ho-hum dialog and story from Matt Wagner. Then there's The Green Hornet Strikes! There's not really enough of this one to get a good feel for it, and there's even less of Kato Origins and Kato (the former has color but no dialog; the latter is black and white and doesn't even have ink, let alone dialog). I doubt there's any reason to buy any of these. The last one, after all, is just a spin-off of Kevin Smith's story, focusing on the hot Kato with large boobs, so it's almost certainly awful.
Thumbs Down
Incorruptible/Irredeemable
This is just a book containing reprints of the first issue of each of Mark Waid's great new series. A good way to get into them for anybody who hasn't yet. Anybody want my copy?
Thumbs Up
Iron Man/Nova
It's Iron Man and Nova versus a team of super apes! Except one of the apes defects and helps them, in return for candy. Pretty cute and fun. In the back is a goofy Superhero Squad short about Iron Man trying to find a way to repair all the damage from Hulk's constant smashing, but Hulk points out that prevention would be the better course. Also kind of cute.
Thumbs Sideways
Iron Man/Thor
The opening image of this one - Thor standing with his hammer in front of a giant oncoming wave and ordering it to yield - is a really powerful one. But it's not the prelude to a surreal, philosophical comic. In fact the story is about some folks who have stolen one of Tony Stark's inventions and are using it to make the moon habitable and the Earth inhabitable. Iron Man and Thor team up to stop them. I'm kind of surprised these two are willing to work together, after the bad blood that's passed between them lately, but whatever. There's some fun banter, Romita provides his usual excellent artwork, and the story is reasonably exciting.
Thumbs Sideways
Kizoic Presents
This book has two Penguins of Madagascar stories on one side and two Shrek stories on the other. The one Shrek story about Donkey and Shrek getting sick and being quarantined together is oddly pointless and never goes anywhere, but the rest are all pretty standard kids' comic stories - mildly entertaining, but not very exciting, and not terribly imaginative either. I wanted to like the Penguins stories more than I did, since I enjoy the cartoon, but they're just okay.
Thumbs Sideways
The Library of American Comics
This is little more than a long ad for collections of old newspaper strips. It includes a bunch of samples of what the company has to offer, including really early Archie, Blondie, and Li'l Abner. Mostly it just convinced me that, yes, some comics do eventually become hopelessly dated.
Thumbs Sideways
Toy Story
It's disappointing to me that nearly every Toy Story story has the same format: a new toy arrives, and the other toys react to it with fear and suspicion, but usually end up embracing it in the end. This story is no exception. The only wrinkle is that this time the new toy is another Buzz Lightyear, which Andy receives by mistake, and which his Mom promises to exchange for a new, better toy. But the new Buzz gets switched with the old Buzz, and is about to be taken back to the store when the comic ends. The book has its moments, but there's nothing so exciting here that it makes me want to start collecting this series again.
Thumbs Sideways
War of the Supermen #0
I've been avoiding all the Superman titles lately because they're all being written by authors whose work I've disliked in the past. This free zero issue convinced me I've been making the right decision. It's just lots of cheesy, overwrought, melodramatic dialog and narration. Plus, Superman comes off as self-righteous and preachy. There's nobody in the book you can like or identify with. Even the villains just stand around and spout the standard villain cliches.
Thumbs Down
Worlds of Aspen 2010
I was not familiar with any Aspen comics before I looked at this sampler, but it seems clear now that all of their books are about boobs. There's some sad attempts at dialog and story attached to the boobs, but they're clearly an afterthought. The only exception is Dellec. The sadly extremely short preview for this book is actually pretty funny, as it involves a gang of big guys dressed as apes who call themselves The Kongs.
Thumbs Down
FCBD back issues and old data
Charlemagne #1
This is a book put out by a publishing company called Defiant in the early '90s. It's an absolutely awful story which opens up in the '70s with a young boy worrying about his soldier brother, who's overseas in Vietnam. He ends up getting over there somehow and trying to save his brother, only to fail at the last moment. Then he goes into a coma for many years and somehow develops super strength. I couldn't even read the entire thing, the dialog and narration were so poorly written; I just skimmed the last three quarters or so. It's melodramatic and overwrought and cheesy and just bad in every way that writing can be bad. The credits reveal that it was plotted by five different people working together, which is not a good sign; too many cooks in the kitchen, clearly. Apparently the actual writing was done by only one guy, though: D.G. Chichester. I'll have to make sure to avoid his work in the future - assuming it even comes up.
Thumbs Down
Fantastic Four Versus the X-Men #2
Fantastic Four Versus the X-Men #3
These are two issues from the middle of a four-issue miniseries published in the mid-'80s. They're written by Chris Claremont, so they're exceedingly over-narrated and seriously lacking in subtlety. Plus, Franklin Richards baby-speak dialog makes me want to punch somebody. That being said, it's a surprisingly effective story, which finds the X-Men so desperate to save Shadowcat from an odd medical condition that they are even willing to fight the Fantastic Four when Reed refuses to help them, and accept the assistance of Doctor Doom when he offers it. But the FF is going through its own issues, as it turns out Sue has recently discovered a book that appears to be Reed's diary, and which states plainly that he knew what would happen on the fateful flight that turned them all into superheroes (and Ben into a freakish monster), and that he planned it deliberately. The book is a lie, but that doesn't stop it from briefly tearing the FF apart. Despite how melodramatic the story gets, it never feels unbelievable, and Claremont treats the characters well. Maybe it's because I'm a new father and therefore vulnerable to this sort of thing, but the tender moment between Reed and Franklin put a lump in my throat. As a final note, it's hilarious how incredibly inaccurate and sensationalized the covers of each of these comics are. The scenes they depict have absolutely nothing to do with what actually happens inside the books.
Thumbs Up
Fantasy Masterpieces #2
This book, from January of 1980, finds an extremely emo Silver Surfer (the opening panel features him lying stretched out on his board with one arm flung over his eyes in classic Victorian-lady-with-the-vapors style) protecting the Earth from invisible alien invaders, despite the fact that the humans constantly misinterpret his actions and repay his selfless acts of kindness with only hatred and violence. The writing, because it's by Stan "The Man" Lee, is really rather ridiculous. But, because it's by Stan "The Man" Lee, it's also reasonably fun and entertaining.
Thumbs Sideways
The Incredible Hulk #315
This book, from January 1986, actually documents a pretty important moment in the history of the Hulk, wherein Doc Samson manages to split the Hulk and Bruce Banner into two physically and mentally separate beings, only discovering after he's succeeded what a terrible and dangerous thing he's done. The writing and art are both by John Byrne, whose work I've enjoyed in the past, and he delivers a pretty entertaining comic here, although the opening metaphorical chase between Bruce and the Hulk is a bit overdone, and there's maybe a bit more exposition - and talking in general - than there really needs to be.
Thumbs Sideways
JLA: Paradise Lost #2
The middle issue of a three-part miniseries by Mark Millar, with art by Ariel Olivetti. I hardly need the first and third issues to understand the story, however, as it's a really old one about guardian angels who forsook their places in heaven for the love of mortal women, and another angel who's rebelling and plans to overthrow God. The fact that the Archangel Michael turns out to be a tattooed smoker is kind of amusing, and it's both entertaining and embarrassing to note that this was during the period where Superman didn't have the cape, and instead wore a ridiculous blue and white jumpsuit, and even had purple skin for some reason. This book also features one of the (apparently many) times that the Martian Manhunter died. It doesn't have a lot of that over-the-top, Millar charm, but he does get to show the evil angel burning some people alive and throwing a boat around, so there's that.
Thumbs Sideways
Will to Power #8
This is a short, 16-page book from the mid-'90s about a young, snot-nosed super team and their far more experienced boss facing off against a guy who appears to be a sort of Superman-gone-wild. We're clearly coming in at the middle of the story here, and what with that and the fact that there are so few pages, it's hard to get a feel even for who's meant to be the heroes and who's meant to be the villains. Luckily none of the characters are particularly interesting or fresh, so it doesn't really matter.
Thumbs Sideways |
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| Tagged (?): Avengers (Not), Brian Michael Bendis (Not), Buffy (Not), Captain America (Not), Comic books (Not), Ed Brubaker (Not), Fantastic Four (Not), Free Comic Book Day (Not), Green Hornet (Not), Hulk (Not), Iron Man (Not), Kieron Gillen (Not), Mark Millar (Not), Mark Waid (Not), Nova (Not), Pixar (Not), Siege (Not), Simpsons (Not), Superman (Not), Terminator (Not), The Take (Not), Thor (Not), X-Men (Not), Zack Whedon (Not) |
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| Tuesday, April 27, 2010 03:44 PM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 4/21. Beware spoilers!
New releases
Captain America: Who Won't Wield the Shield #1
This is one of those weird, self-parodying, one-shot, anthology comics full of silly in-jokes that the comic creators themselves probably get a lot more of a kick out of than any reader could. Forbush Man - the main character of Marvel's parody comics from way back - takes the starring role in the frame story, assaulting some of Marvel's most popular and famous creators, who are skewered, and/or skewer themselves, in amusing fashion (it's even more amusing if you follow them on Twitter). They distract Forbush Man by showing him (and us) other parody comics. The first is a surreal, far out, drugged-up mashup of Doctor Strange and Captain America. It's certainly colorful, and occasionally funny, but mostly just odd. Next up is "The Golden Age Deadpool," which is a great concept, with plenty of fun art and plenty of ridiculously anachronistic hip-hop dialog from Deadpool, but which overall could have been executed better. Really the most brutal and effective self-parody in the book is the final page, which is a "Sleege" checklist that rips Marvel's publishing schedule, its characters, its storytelling, and all of its recent large-scale sagas in truly biting fashion.
Thumbs Sideways
Gravel #18
Gravel seems to have decided five people is enough to make a Minor Seven and he pulls all his recruits together for their first collective group meeting, where he sets some ground rules for them, gives them a general mission, and also takes them (and us) on a tour of his previous adventures. If Gravel were a TV show (which, oh my God, it totally should be), this would be the clip show episode. And as we all know, the clip show episode is a bit of a cop-out. Still, it's fun to get a quick reminder of all the crazy crap Gravel's been through, and to see it again through the eyes of his apprentices. Plus we get to learn more about what Gravel expects of his Minor Seven. Finally, near the end of the issue that crazy killer dude who's been trying to get Gravel's attention finally does, and our hero sets out on a new mission. Should be fun!
Thumbs Up
Joe the Barbarian #4
Joe meets a cult of wizards whose magic is really just half-understood bits of science and technology ("square root of eye of newt, over function of the cosine where EEE equals magic times the speed of all likelihood squared"). They think the fact that Joe has broken through into this reality is what's causing this reality to fall apart ("A door has been opened into the outer murk"). We end on a cliffhanger again as Joe seems to be simultaneously soaring down a cliff in an untested flying machine, pursued by monstrous agents of evil, and standing at the top of a flight of stairs in his house about to tumble down them. The magicians are a set of great, funny new characters, the story is well constructed and intriguing, the action is exciting, and the dialog is brilliant. Good times.
Thumbs Up
The Unwritten #12
Man, I love this comic. It is so, so good. I know I say that pretty much every month, but... wow. This issue is another one-shot, this time revealing what happens to those who piss off Wilson Taylor. Somehow he's trapped a couple of his enemies inside a children's story, which is sort of an amalgamation of all famous children's stories - Alice in Wonderland, The Hobbit (the comic has almost the same opening line - "In a hole in the side of a hill, there lived a rabbit."), Winnie the Pooh, The Wind in the Willows, etc. It might sound like a fun time, living life in a children's story, but Carey depicts it, in a darkly hilarious way, as a truly hellish existence. It's clear right away that the rabbit doesn't belong in this story, because he starts stabbing himself, and screaming "Pauly Bruckner!" which is presumably his own true name, that he is trying desperately to hang onto. It is so wonderfully, horribly funny when he emits streams of terrible curses at all the kindly forest creatures he meets. He probes the edges of the fantasy world, trying to find a way out, but the story just brings him right back to where he started. Then he hatches a plan to kill the story's very creator, with the idea that it will burst the bubble once and for all. But what he doesn't realize about children's stories is that there's a dark space at the heart of every one, and it's not empty.
What I'm saying is, this is another amazing issue, containing another wonderful ode to another wonderful genre of literature, and another insightful and funny deconstruction of said genre, which also simultaneously advances the overall storyline (if only incrementally), and certainly gives us a closer look at the dark side of Wilson Taylor. I love this comic to bits.
Thumbs Up |
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| Tagged (?): Books (Not), Captain America (Not), Comic books (Not), Dr. Strange (Not), Grant Morrison (Not), Gravel (Not), Jason Aaron (Not), Matt Fraction (Not), Mike Carey (Not), The Take (Not), Tolkien (Not), Warren Ellis (Not), Wonderland (Not) |
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| Monday, April 26, 2010 01:14 PM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the weeks of 4/7 and 4/14. Beware spoilers!
New releases
B.P.R.D.: King of Fear #4
Liz goes hunting in the ruins of a future apocalypse that she supposedly helped create and finds evidence that seems to support the Black Flame's disturbing claim that Abe is just a slightly more evolved frog creature. The whole second half of the book is incredibly thrilling, as Hellboy makes a cameo and it is strongly suggested that since he was/will be unable or unwilling to end the world, Liz took/will take over for him. Luckily, in a truly ass-kicking climactic conflagration, a mysterious man with a red hand on his forehead shows up and helps direct Liz's power at the right people. It's nice when a super-powerful magician shows up to fight on the side of good for a change! Excellent, excellent stuff.
Thumbs Up
Batman and Robin #11
I'll admit it, I had to do some googling to figure out just who everybody was supposed to be in this comic (I finally found my answers here, if you're interested). I guess I'm just not that good at holding all these story threads in my head at once, and I don't know as much about the history of the DCU as I'd like. I didn't know that Dr. Hurt and El Penitente were the same guy (or if I did know, I forgot), or that that's who that guy was in the opening scene. And I definitely didn't recognize the villain who showed up in the final panel (which is too bad, as I'm sure that was meant to be a shocking reveal). Ah, well. I still really enjoyed the comic. Morrison's kooky dialog and wild story ideas are just fantastic. I love the 99 Fiends, and Batman's Indiana Jones-like investigation under Wayne Manor. I'm glad Robin is thinking the same thing about Sexton I was thinking, but I'd sure like to know if we're right. And the thrilling, cliffhanger ending is very exciting.
Thumbs Up
Irredeemable: Special #1
This is the kind of book that, if Marvel or DC were putting it out, would probably be called an "Annual." It's bigger than your average issue and has three separate stories done by three separate creative teams (although they were all written by Mark Waid). It opens with a short sum-up of the story so far, and some intriguing hints as to where the story will go next, revealing that the three characters who are at the center of each of these three stories will take a critical role in the events to come. The first tale tells the story of one of the Plutonian's former teammates, a guy called the Hornet, who would have been the first superhero (albeit without any powers) if the Plutonian hadn't showed up first. His story is pretty similar to that of Plutonian's other former teammates, except for one difference: the Hornet had a contingency plan in case the Plutonian ever went bad, and he was able to activate it before he was killed. But what is it, and what does it do? I guess we'll see...
Next up is the origin story of Kaidan, done in an appropriately manga-type style. It's a little melodramatic, but does give us a bit more of an insight into her powers and her past. Last is the story of how Max Damage met Jailbait. This one's possibly the weakest and least interesting of the three; it just feels perfunctory and doesn't really add anything to what we know about the characters.
Still, overall this is a pretty fun book. Really, I'm just excited about the fact that it exists. If Irredeemable is putting out "special" issues, that must mean the series is doing well!
Thumbs Up
Siege: Loki #1
This is a one-shot revealing more of Loki's motives and machinations as far as the events of Siege are concerned. I picked it up because it was written by Kieron Gillen, whose work I've enjoyed in the past, and because I have a bit of a soft spot for Loki. The setup is interesting: Loki realizes that despite all his meddling, Asgard and its citizens - including Thor and himself - remain essentially the same. This frustrates and angers him, and he decides he's going to have to work some real chaos if he's to see any kind of true change in the nature of things. So he puts a bug in Osborn's ear about Asgard, then seeks out the terrible Disir and makes himself their master, so that he can make a deal with Hela and Mephisto which will not only cause some serious strife, but also leave him truly immortal and fateless. It's an entertaining and clever series of machinations, and gives us an interesting look into Loki as a character. In the back of the book, we're told Loki's endgame will play out in Thor #609 and Siege #4. I was probably going to buy those anyway, so that's cool.
Thumbs Up
Star Trek: Leonard McCoy, Frontier Doctor #1
John Byrne returns to the Star Trek universe for a new miniseries focusing on what Dr. McCoy was up to in between the original Enterprise's final mission and the events of Star Trek: The Motion Picture. I always like these kinds of stories that fill in gaps in the overall plotline of a larger saga, and Byrne is particularly good at writing them. His prose is smart and he treats the characters with respect. We learn in this issue that McCoy, after sitting around being retired for a while, got restless and signed up to be a frontier doctor, meaning he's out cruising the spaceways with a fellow doctor, answering random medical emergency calls from various alien planets. He and his friend pick up a stowaway and then have to fight a mysterious and fast-moving disease. The stowaway character is basically a stereotype, and many of the other plot elements are pretty familiar, but it's still a reasonably entertaining story, and as I said, it's really just fun seeing these beloved characters moving around again, and learning more about their past.
Thumbs Up
Star Wars: Dark Times #16
The "Blue Harvest" storyline continues with Dass Jennir's Yojimbo/Fistful of Dollars-style gambit playing out pretty much as planned (except maybe for that beating he takes). This continues to be an entertaining series with beautiful art.
Thumbs Up |
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| Tagged (?): B.P.R.D. (Not), Batman (Not), Comic books (Not), Grant Morrison (Not), John Arcudi (Not), John Byrne (Not), Kieron Gillen (Not), Mark Waid (Not), Mike Mignola (Not), Siege (Not), Star Trek (Not), Star Wars (Not), The Take (Not) |
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| Monday, April 19, 2010 02:16 PM |
| (Last updated on Tuesday, April 20, 2010 09:06 AM) | | The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 3/31, plus a Fletcher Hanks collection. Beware spoilers!
Back issues and old data
You Shall Die by Your Own Evil Creation!
I mentioned in my review of the first collection of the work of Fletcher Hanks, I Shall Destroy All the Civilized Planets, that I would definitely have to check out the second collection, and now I have! The last line of the book says that these two collections constitute the complete works of Fletcher Hanks, so I guess that's that. It's quite a body of work. This volume includes a straight text introduction that repeats and augments the information included in the comic-style afterword of the first volume, adding more biographical information and even some fascinating sketches by Hanks. It's an interesting introduction, but also unsettling. Knowing more about what a wretched person Hanks was leaves me even more uncomfortable about enjoying his work so much.
In a lot of ways this book is just more of the same stuff that we saw in the first book, except that some of these stories seem to lack the truly wild imagination of those included in the first volume, and more seem to stray from Hanks' standard plot structure (God-like hero discovers evil plan, allows evil plan to commence, then finally intervenes and punishes evil-doer with poetic justice). Which is not to say that this is a bad book, or that Hanks takes any sudden, shocking turns into entirely new story types. His heroes are still all God-like, and they still spend their time defeating incredibly dangerous and destructive villains in unlikely ways. This book is maybe not as wildly inventive or as thematically consistent as the first, but it's nearly as fun and full of nearly as many crazy ideas and insane, evocative images. I particularly enjoyed the Fantomah story in which an immortal Egyptian mummy super-scientist uses a ray to blind the people of the jungle, and then resurrects all the mummies on Earth and transmits them through the sky to come live in a new jungle empire for Ancient Egyptians. Another great Fantomah story sees her fighting fifth columnists by sending hordes of lions and tigers through the sky at parachutists, and then destroying the remaining grounded planes and soldiers with Godzilla-like lizard monsters. Hanks even mimics other popular comic books of the day by giving one of his heroes, Stardust the super-wizard, his own squad of child assistants (although considering Stardust's infinite abilities, they seem kind of superfluous).
Overall I'd say this book is definitely worth getting, especially if you own and enjoy the first book.
Thumbs Up
New releases
Blackest Night #8
Here it is at last, the crappy conclusion to a terrible miniseries. I mean, if your comic opens with your main character narrating, without any trace of irony, the words "The truth is, I am afraid of one thing. I'm afraid to get close to people," then you need to consider taking some writing classes. I mean, that shit is awful. I'll admit, I always enjoy an epic two-page spread featuring everybody fighting everybody, but it's happened so many times in this series it's beginning to lose its affect. And when Jordan uses the Entity's power to just magically turn all his buddies into White Lanterns (a term which I'm still uncomfortable with), it's pretty much literally a deus ex machina. I do like the way they reverse the usual ending of epic comic book stories like this one by having the heroes fix everything by bringing the villain back to life instead of by killing him. But the way the Anti-Monitor (once hyped up by Johns himself as the biggest and most terrifying villain of them all) just pops up at the very last minute, hangs out for a few panels, and then pops out again seems pretty ridiculous. And bringing almost all of the dead heroes back to life again in one nonsensical, inexplicable act of resurrection is rather lame - it's pretty much what Johns has been doing with all his Rebirth miniseries, but multiplied by ten and packed into one giant spread. And of course he closes things up with another gag-inducingly cheesy conversation between Barry and Hal.
I think this series has pretty much put me off Geoff Johns for good. He's just not a very good writer.
Thumbs Down
Incorruptible #4
This issue isn't as great as the previous one, but it's still pretty fun, with more insight into Max's motives and character, more development of his twisted relationship with Jailbait, and a fight with a giant robot (something I never say no to).
Thumbs Sideways
New Mutants #11
This one-shot story explains the deal Moonstar made with Hela during the events of... the last big X-Men multi-book series, whatever it was called. Turns out she's now a Valkyrie, but instead of ferrying human heroes to the afterlife, she shepherds the souls of the Gods themselves! Which means she has powers again, but at a pretty high price. It's a vaguely interesting story, but one-shots are always a bit boring, and there's not a lot very exciting or imaginative going on in this one.
Thumbs Sideways
The Terminator: 2029 #1
I wasn't a big fan of Dark Horse's other recent Terminator comic book series, but this one had Zack Whedon's name on it, so I gave it a shot. I was not disappointed. Whedon wisely focuses on characters and relationships (because those are what make good stories, people!) and introduces us to a funny and interesting group of folks, including one that any Terminator fan will recognize immediately: Kyle Reese. I love that Reese tells one of his really depressing and terrifying stories, like the ones he's always telling in the first movie, and somebody finally calls him out on it: "Your stories suck." But the comic's not all people talking - after all, it wouldn't be Terminator without a bit of good, old-fashioned ultra-violence. So there's shooting and killing and a huge machine invasion, not to mention the historic and deadly first meeting between humans and the T-800 series of Terminators. This is a fine comic right here - a worthy continuation of the Terminator saga - and I'm looking forward to the next issue.
Thumbs Up |
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