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Wednesday, May 16, 2012 03:05 PM
Recyclotron
 by Fëanor

Fëanor pours the entire internet into the Recyclotron, and only the best links come out the other end for you to enjoy.

Tagged (?): Animals (Not), Animated GIFs (Not), Art (Not), Cartoons (Not), Celebrities (Not), Comedy (Not), Comic books (Not), Diablo (Not), Doctor Who (Not), Hulk (Not), Links (Not), Lists (Not), Movies (Not), Music (Not), News (Not), Photography (Not), Pixar (Not), Recyclotron (Not), Superman (Not), Toy Story (Not), TV (Not), Video (Not), Video games (Not)
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Tuesday, March 1, 2011 11:54 AM
Recyclotron
 by Fëanor

Fëanor pours the entire internet into the Recyclotron, and only the best links come out the other end for you to enjoy.

Tagged (?): Art (Not), Avengers (Not), Cartoons (Not), Celebrities (Not), Comedy (Not), Comic books (Not), Craft (Not), Links (Not), Movies (Not), News (Not), Parenting (Not), Photography (Not), Pixar (Not), Recyclotron (Not), Star Trek (Not), Star Wars (Not), Toy Story (Not), Web comics (Not)
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Monday, January 3, 2011 10:32 AM
A New Year, a Fresh New Recyclotron
 by Fëanor

Fëanor pours the entire internet into the Recyclotron, and only the best links come out the other end for you to enjoy.

Tagged (?): Animals (Not), Art (Not), Cartoons (Not), Celebrities (Not), Christmas (Not), Comedy (Not), Comic books (Not), Hellboy (Not), Holiday (Not), Links (Not), Movies (Not), Music (Not), Neil Gaiman (Not), News (Not), Pixar (Not), Recyclotron (Not), Science (Not), Tolkien (Not), Toy Story (Not), Toys (Not), Tron (Not), Tron Legacy (Not), Video (Not), Video games (Not), Web comics (Not)
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Wednesday, August 26, 2009 05:30 PM
The Take
 by Fëanor

Fëanor's (semi-)weekly comic book review post.

This post covers new releases from 8/12. These days I'm trying hard to omit the plot synopses, but I still might slip in a spoiler now and then, so be warned.

Adventure Comics #1
Conner Kent is trying to get back into the swing of being alive by doing all the things Superman did - living with the Kents, going to Smallville High, joining a team of superheroes, and helping anyone who needs it. But some evil entity is already after him, presumably with the plan of making him dead all over again. And the final page of the comic reveals there's a lot more to Conner Kent than there at first appeared. It seems he's going to try to replicate the deeds of both of his "fathers." Very interesting! This is one of my favorite last page surprise reveals in a while. It really turns both the character and the story on their heads and opens up a whole new series of possibilities for the future. I'm impressed!

The backup story, also by Geoff Johns, focuses on the mentally disturbed Starman, who's trying to keep the various threads of his mind together long enough to complete some final mission for the Legion, but what that mission is isn't entirely clear. We get a few intriguing glimpses of the future to come, but they're mostly just puzzling fragments. I can't say I'm a huge fan of crazy Starman, but I'll probably stick with this book, for the main story if nothing else, and we'll see how it goes.
Thumbs Up

B.P.R.D.: 1947 #2
Man am I loving this one! I always love stories about people crossing over into ghostly other worlds, and the fact that it's Mike Mignola and Joshua Dysart's words and Gabriel Bá and Fábio Moon's drawings telling the story just makes it that much better. The drama, tension, and sense of threatening danger build as we cut back and forth between Simon and his friends. And I love the way Mignola handles witches in his universe - dancing with goats and giant toads. Simon is in trouble, but it looks like he might have gotten Konig in trouble, too. Good stuff. In the back of the book is a preview for the release of a trade collection of Guy Davis' The Marquis. It's hard to get a real feel for it from just these four enigmatic pages, but it certainly looks eerie and intriguing. I might have to check it out.
Thumbs Up

Blackest Night #2
I've already gone back and forth a few times on the whole Blackest Night thing, but now I feel pretty certain I'm just going to drop it. It's just ridiculous and cheesy and not very good. Sure, the idea of Deadman coming back to life is kind of interesting, as is the idea of an evil Aquaman going around making sharks eat people. The Spectre going bad is also fascinating, and I like the use of the "Flash Fact" thing. But those ideas aren't enough to make up for the general lameness. I've also noticed an unfortunate consequence of bringing characters back to life who have been dead for a long time: the guys who die and stay dead in comic books tend to be the expendable guys that nobody really cares about, and that nobody remembers. I had to look up Don Hall and Hank Hall online to figure out who they were.

I was surprised at how much I enjoyed the prose piece in the back from The Book of the Black. It's well written and uses metaphor and everything. I also like the preview of Superman: Secret Origin #1 in the very back. But it's done by the dynamite team of Geoff Johns and Gary Frank, so it was almost bound to be good. Just in this preview you get to see the historic first meeting of Clark Kent and Lex Luthor (it involves Kryptonite!), and Clark runs to save Lana from a tornado. Good stuff.
Thumbs Sideways

Blackest Night: Batman #1
How did I talk myself into buying the first issue of a Blackest Night spin-off miniseries written by Peter J. Tomasi? Sigh. I guess the word "Batman" was enough to pull me in. As one might expect, it is Not Good. Tomasi doesn't handle Damian or the relationship between him, Dick, and Bruce with anywhere near the subtlety and power of Grant Morrison. We get to see a bunch of villains come back to life, but they must be rather obscure second- or third-stringers because I recognized only one of them. Blackest Night is really over-the-top in many ways, but bringing the zombie Flying Graysons into it might be the most ridiculous thing yet. I'm definitely dropping this one.
Thumbs Down

Captain America: Theater of War - To Soldier On #1
I've been surprised at the high quality of most of these Captain America: Theater of War one-shots, but this might be the best one yet. Cap isn't even the main character here; instead, we focus on a regular soldier in the Iraq War, trying to make it through a tough situation with a bunch of his buddies. We see Cap from a different perspective: to the grunts he's an impossible, superhuman hero, but also a rather obtuse superior officer whose decisions sometimes irritate his men and put them in danger. Ultimately this is a story about what happens to regular people during and in the aftermath of warfare. It's powerful, insightful, and emotionally effective.
Thumbs Up

Final Crisis: Aftermath - Escape #4
I think I'm done with this series. It just keeps being odd and surreal and repetitive and not really going anywhere.
Thumbs Sideways

Hellboy: The Wild Hunt #5
Yay, Hellboy's back! Unfortunately for him, the Queen of witches is after him. In his desperation to save Alice from poison, Hellboy is tricked into making what could be some really dangerous mistakes. He frees a fly (probably a powerful demon) from its prison, and accepts the help of Morgan Le Fay. There's a really fantastic scene where the Queen of witches demands a terrible crime in worship of her, and says she will become a goddess of war. I love the regal, old timey, magical speeches she makes. And Duncan Fegredo's art, in combination with Dave Stewart's colors, is of course absolutely beautiful.

In the back is a very odd story indeed called "The MonsterMen in O Sinner Beneath Us!" It's written and drawn by Gary Gianni. I assume The MonsterMen are characters from some kind of ongoing series, but I don't know anything about them. The story itself is about a man in a suit and a knight's helmet, and a young woman trying to exorcise the ghost of a young girl from a house. In the process, they meet an old friend who turns out to have a terrible and powerful artifact that causes some trouble. I'm not sure how I feel about this story. There are some cool ideas, but overall it feels a bit confused and hurried. It looks like this is the first part of a two part story, so we'll see how it finishes up in the next issue.
Thumbs Up

The Incredible Hercules #132
I think it's time I gave up on this series again, too. It's not that it's bad, it's just not that good. The opening is pretty clever - it's a handful of panels quickly explaining Thor's origin, accompanied by sarcastic commentary by Hercules. Inside, Herc is given the task of hiding Zeus, but almost immediately screws up and gets the two of them embroiled in a dangerous adventure. There are some neat ideas, and the usual amusing sound effect words, but overall I'm just not impressed. Maybe it's time to put Greg Pak on my list of authors to be avoided. It's too bad, because I know he can be really good sometimes. It's just that most of the time he's really just mediocre.
Thumbs Sideways

Marvel Comics #1: 70th Anniversary Edition
This is one of the stranger of the 70th anniversary one-shots. I'm pretty sure this one is all reprints of old Golden Age stories - it might even be an exact reprint of the actual original Marvel Comics #1 - except that the art and coloring appears to have been cleaned up and redone so everything's a bit sleeker and prettier. There's a very odd black and white comic strip on the first page (which is not particularly funny), then we get the origin of the Human Torch, which is a rather strange story when you get right down to it. Despite being encased in a concrete block for most of his life, the Torch is surprisingly compassionate and knowledgeable; he immediately recognizes a racketeer at work when he sees one, and resolves to defeat him. It's interesting that Dr. Horton, the Torch's creator, isn't all that good himself; he too is touched by greed. The Torch is the only really good man in the story (despite the fact that he's not a man at all), and he spends the great majority of it being maligned, manipulated, and misunderstood. It's a pretty complex and well put together story for the Golden Age, although it certainly does have a bit of that Golden Age weirdness to it.

Next up is the story of The Angel. This character I don't know all that much about, so it was cool to read what's essentially his origin story. Interestingly, The Angel is really more like an early version of The Punisher than anything else. When he learns there's a group of racketeers called The Six Big Men controlling the city, he puts their names on a list and kills them off one by one. It's pretty brutal! Of course, it's also a bit silly and clumsily plotted, and the story is hurriedly wrapped up by squashing the conclusion into the last couple of panels; the final panel barely has enough space for a drawing of The Angel in it, as the rest of it is filled with a dialog balloon that's all exposition tying up the remaining loose ends.

Next up is a story I'd already seen reprinted in another recent special: the origin of The Sub-Mariner. I've already complained about how clumsy and unbelievable this story is. But this version of the story has an extra bit at the end that shows Namor and his cousin heading out to begin in earnest their war against the humans. It mostly involves Namor smashing things up and chucking people around while trying to keep his cousin safe. It's pretty fun, and the art throughout is unique and fascinating.

The next story in the book is arguably the worst. It's "The Masked Rider," and it reads like it was written by a rather confused child with a learning disability who was brought up on bad Western movies. There's the usual evil land baron unfairly running the other ranchers out of town, but one man resolves to do something about it, so he escapes from prison by pretending he's sick, puts a mask on, tames a wild horse, and comes back with a gun and starts beating up the bad guys, with the help of the other townspeople. When the bad guys see him, they say intelligent things like, "Yer masked!"

Nearly as silly as "The Masked Raider" is "Jungle Terror," which sees a young kid and an older man resolve to fly out to the Amazon and try to find the kid's uncle, a professor who went out there looking for diamonds and then went missing. After flying all the way to the Amazon from Florida, they suddenly have plane trouble: "Oh-oh! Something's wrong! Motor's missing!!" Uh... only now do you notice there's a motor missing?? Anyway, they crash and are captured by savages, but eventually make it out alive with a diamond. The art is very odd, and the people's faces sometimes take on weirdly demonic expressions, possibly thanks to the odd way their eyes are drawn. The writing is, as you might have already guessed, clumsy, stereotypical, and silly.

Speaking of bad writing, next up is a short prose story "About The Auto Race Tracks" called "Burning Rubber" by Raymond Gill. It's about a guy who's testing an experimental engine in a really dangerous manner, but his concerned girlfriend saves him and helps him out. He misunderstands and is a jerk to her at first, but then all is well. It's quite silly.

Surprisingly, one of the best stories in the book is "Adventures of Ka-Zar the Great," the origin story of a Tarzan-type character called Ka-Zar. His parents' plane crashes in the jungle when he's a boy and he grows up with the animals, making them his friends and learning to communicate with them. It's reasonably well written, and the art is dramatic and effective.
Thumbs Sideways

Marvel Divas #2
I love that Doctor Voodoo sent a zombie to Monica with flowers, like a moaning telegram. I also rather enjoy the depiction of Doctor Strange as a slightly arrogant rock star. This comic seems to have an oddly large number of thought bubbles in it, but not in an annoying way. It's rather touching that the Night Nurse tells Angelica her real name. It's funny that Felicia tries to get a loan from a bank that she robbed. Angelica's predicament and the way she's responding to it is realistic and moving. And Patsy now has a terrible choice to make. This is really a neat book: funny, touching, clever.
Thumbs Up

The Marvels Project #1
A preview of the opening section of this book has been in the back of a lot of Marvel comics lately. I was a little disappointed by that preview for whatever reason, but I knew I'd get the comic anyway because I was fascinated by the premise. And I'm glad I did because it's really living up to my expectations so far. I even liked the opening better reading it in context. It's cool that Brubaker was able to work the Two-Gun Kid into this story, and thus link the distant past of the Marvel Universe to its origins, and its future. I love the glimpse of the secret meeting with the President where the race to create the first superhuman is being orchestrated. Here it comes out that the Human Torch is secretly a government funded project. Meanwhile, the Nazis are at work on their own superhuman, and are killing Namor's people as part of their experiments. And guess who's in charge of that German program? A scientist named Erskine who wants to defect! But the Germans didn't count on Namor's rage or his vengeance. The Human Torch's origin story, which I'd just read in Marvel Comics #1, is retold here in a much smarter, realistic, and dramatic manner. Nick Fury and his pal Red are pulled in to help Erskine defect, and the man who will call himself The Angel finds his purpose fighting looters in the confusion that reigns after the Human Torch escapes his prison and mistakenly burns the city. Brubaker is polishing up all these old stories, giving them vibrant new life, and brilliantly weaving them all together into a new tale: the rise of the Marvels. If it continues to be as good as this first issue, this will be a truly excellent miniseries.
Thumbs Up

Red Robin #3
Suddenly the artist on this title (Ramon Bachs) is really reminding me of Kevin Eastman and Peter Laird. Huh. Anyway, I've been impressed with this series so far, but this issue is kind of mediocre. There's another fun assassination sequence, but the dialog is getting a little weak and melodramatic, and the story is getting a bit dull. I might hang in there for at least one more issue, but... then again, maybe not.
Thumbs Sideways

Toy Story: Mysterious Stranger #4
The final issue of Boom!'s Toy Story miniseries is sadly the weakest. Once again it plays with the idea of the toys revealing the fact that they can talk to humans, but the motive behind revealing it is rather nonsensical, and the argument against revealing it is pretty weak. It seems odd that the toys would frequently think about revealing their secret to humans; surely a toy would have let the cat out of the bag by now if it's something they consider often. On the other hand, if it is a huge taboo, why would they think about breaking it just because one toy was briefly removed from the premises? And why, if Andy knew the toys could talk, would he no longer be able to pretend they were something other than themselves? When kids play with their friends they constantly pretend they're someone else, despite what Woody says. It's just a clumsy story, and not nearly as interesting or effective as some of the others have been.
Thumbs Sideways

Ultimate Comics: Avengers #1
Ever since Jeph Loeb took over Marvel's Ultimate universe and made it really, really dumb and bad, I've been avoiding the titles set there. But seeing as how they're relaunching it now and putting it in the hands of more talented writers, I thought I'd give it another shot. I still wasn't expecting much, however, so when this book, with writing by Mark Millar and art by Carlos Pacheco, turned out to be really awesome, I was pretty startled. Apparently during the events of Loeb's Ultimatum there was a big flood. Luckily I didn't need to know much about any of that to pick up the thread of what was going on. Cap and Hawkeye are out on a mission doing ridiculously awesome and bad-ass things when they run into the Ultimate universe version of the Red Skull. The Skull reveals a horrible truth to Cap that leads to him going rogue and Hawkeye asking Nick Fury to come back to help capture him. Meanwhile, Tony Stark is drunk in some crazy sex club. It's a dramatic, funny, exciting start to the new series, and I'll definitely be tuning in next month for part two.
Thumbs Up

Ultimate Comics: Spider-Man #1
Brian Michael Bendis is in charge of Spider-Man's new Ultimate title, and he's put together a fine first outing. I love the hilarious opening that features Peter Parker facing the overwhelming and horrific task of working at a fast food restaurant. Then an intriguing new hero appears on the scene - but is he really a good guy? He looks kind of like the Hood, if you ask me. Pete's relationship with Gwen Stacy is getting all hot and heavy; something bad happened to Johnny Storm; and the Kingpin is back, but a new villain shows up (is it Ultimate Electro?) and does something pretty stunning and awesome to him. It's an incredibly fun and action-packed first issue of what looks likely to be an exciting new comic. Which actually kind of pisses me off, because it's I really don't need a new series to collect.
Thumbs Up

Uncanny X-Men #514
Hey, Psylocke is back. And boy does she look stunning in that "wetsuit." Sadly Norm's Avengers and Emma's X-Men don't get to finish their fight. We're given a slightly better explanation for why Cloak and Dagger joined Emma's X-Men, which is nice. Dani Moonstar shows up in Vegas to make a deal with somebody, but I'm not sure who. I feel like maybe I'm supposed to know what's going on there from the clues I've been given, but I'm hoping I'm wrong, because I have no idea. It's good to see the real Wolverine show up and it's good to know Scott has sent him and some others on a mission to retrieve their people from prison (I was wondering when he was going to get to that). As for the last page, I have no idea what's going on there. I don't know who any of those people are or where they're going. And I'm pretty certain I'm supposed to know. Sigh.

I think it's time to drop this one again. I started collecting it again because of the whole Utopia thing, but I still really don't like Matt Fraction's very much, and I just don't care about Utopia anymore.
Thumbs Sideways

Wednesday Comics #6
Batman - Batman fights a guy! I'm not entirely sure who or why. Is he the assassin from before? I guess. Anyway, the art's good.

Kamandi - Speaking of good art, the art on this title continues to be amazingly beautiful. And the story is a fun and engaging adventure tale.

Superman - Looks like we're done watching Superman brood and something is actually going to happen now, as the buddies of the alien he beat up in the first issue seem to have shown up looking for revenge. Love the art on this one, too.

Deadman - Deadman has apparently died again, but at least he also got to meet some pretty ladies.

Green Lantern - We finally learn what Hal did to get himself kicked out of the astronaut program, and we get to see what part Dill played in it all. Interesting stuff. And now it looks like the flashback is over and we're going to get back into the action in the present. Fun.

Metamorpho - I just can't get a handle on this strip. Gaiman seems intent on trying every crazy idea he can think of with it. This time there's a fight with a snake on a ladder, the Metamorpho Fans of America intrude again, and then the rest of the strip is a Metamorpho-ized version of Snakes and Ladders. I appreciate the creativity on display here, but at the same time... it's just really weird.

Teen Titans - Still sucks.

Strange Adventures - Things take a really fascinating turn in this week's issue of this strip, as we find that Adam has returned to Earth, and to his own body - that of an old professor. Unable to find the chart of the Zeta-Beam's trajectory, he must remain on his home planet and move forward with his expedition to Machu Picchu. There are some fantastic images from the archaeological dig, and Adam begins to lose all sense of reality. Have all his adventures on Rann been a dream, and this is the dull reality? Or is his life on Earth the dream, and Rann the truth? Wonderful ideas + stunning imagery = great comics.

Supergirl - I actually rather like the latest episode of this strip, as it features an amusing modern interpretation of Aquaman (or is that Aqualad?). He's incredibly busy, dealing with one problem after another in the seas all over the Earth. He uses odd combinations of modern slang, and shells like cell phones (shell phones?).

Metal Men - I'm still not all that interested in this strip, but the addition of an evil giant robot does make it at least a little more attractive.

Wonder Woman - There are a couple of interesting things in this strip: a cool story about an ancient sword known as "The Red Death," and the introduction of the modern version of WW's buddy Etta, who gets to fight monsters with a lollipop - although that turns out to be a hallucination brought on by drugs, apparently. Despite these few interesting things, however, this strip continues to be cluttered, confused, and rather silly.

Sgt. Rock and Easy Co. - Hey, it looks like something is finally about to happen in this strip! In a rather surprising turn of events, Rock gets cut free by a traitor! Maybe he can beat up some Nazis next time. Assuming he's up to it.

Flash Comics and Gorilla Grodd - Yes, Iris West has been replaced by Gorilla Grodd! That's a nice surprise. Flash escapes from the horrific trap he was thrown into at the end of last issue via a crazy awesome use of his super powers, then dashes back to meet up with two more Flashes, one of whom is only interested in making his dinner date. Meanwhile, Gorilla Grodd seems to be telling us the fascinating origin story of its titular character. Cool stuff!

The Demon and Catwoman - I thought this issue would be the big fight between the Demon and the witch, but it's just more backstory explaining their relationship. Thankfully it's pretty interesting backstory, and well illustrated.

Hawkman - I'm pleased to say that this continues to not suck, although it looks like it might be about to turn into Lost, which is a little disturbing.
Thumbs Up
Tagged (?): Avengers (Not), B.P.R.D. (Not), Batman (Not), Blackest Night (Not), Brian Michael Bendis (Not), Captain America (Not), Comic books (Not), Ed Brubaker (Not), Final Crisis (Not), Geoff Johns (Not), Green Lantern (Not), Greg Pak (Not), Hellboy (Not), Mark Millar (Not), Mike Mignola (Not), Neil Gaiman (Not), Paul Pope (Not), Pixar (Not), Spider-Man (Not), Superman (Not), The Take (Not), Toy Story (Not), Wednesday Comics (Not), X-Men (Not)
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Thursday, August 13, 2009 12:27 AM
The Take
 by Fëanor

Fëanor's (semi-)weekly comic book review post.

This post covers new releases from 7/29. These days I'm trying hard to omit the plot synopses, but I still might slip in a spoiler now and then, so be warned.

Blackest Night: Tales of the Corps #3
Our first tale is by Peter J. Tomasi with art by Chris Samnee and it's an interesting look back at when Kilowog was a rookie Lantern and had to fight his way through his own brutal training period with a drill instructor shouting in his ear. I have to admit it's not a particularly creative story, and it's quite predictable, but I still found it amusing, effective, and even rather moving. There were also some fascinating moments, like Kilowog's short conversation with Sinestro at the end.

Tomasi once again provides the words for the next story, but this time it's Mike Mayhew who does the (rather lovely and realistic) art. The tale is about Arisia and her proud but sad family tradition with the Lanterns. Once again, nothing really shocking and new here, but still a solid little story that's surprisingly effective. The last tale in the book is rather ridiculous: it's Blackest Night #0, this time reprinted with just the black and white pencils and no colors, and accompanied by extra narrative boxes full of "Director's Commentary." The problem is, Blackest Night #0 wasn't all that great the first time around, and there's very little interesting information contained in the commentary.
Thumbs Sideways

Dark Reign: Lethal Legion #2
This issue reveals how Wonder Man got roped into joining the Lethal Legion, delves into the interesting and complex relationship he has with his brother, shows us more of the group's crazy plan to kidnap Osborn, and then hits us with a zinger of an ending. Wow! I was actually thinking about dropping this book after the rather bland first issue, but it's turning into a surprisingly good comic.
Thumbs Up

Dark Reign: Sinister Spider-Man #2
This comic opens with what is definitely one of my favorite recap pages ever: it's done up as a page in Mac's spiral-bound notebook diary, surrounded with cute stickers and character portraits in little paper hearts. Meanwhile, the things it describes are absolutely horrific and awful. Brilliant! Inside, it quickly becomes clear that nobody really bought Mac's frame-up of the Mayor, but it was still plenty embarrassing and annoying for JJJ, and after all that was the goal. To create further embarrassment and chaos, Mac initiates a gang war, then picks up a bunch of hot triplets, who mistakenly and hilariously refer to him as Ant-Man (he doesn't mind). Meanwhile, the subplot with the crazy Redeemer guy gets a lot funnier and a lot more interesting as we learn more about the gang of crazy freaks he's brought together. General Wolfram's fake origin story is hilarious, and Doctor Everything turns out to be a brilliant parody of Doctor Manhattan (with his censored shlong hanging out and everything) who's never even met Spider-Man, and has just joined the group seeking human companionship. It amuses me that the gang who are out to get Spider-Man claim they really want to "save" him. And of course the irony of Spider-Man being chosen to help J. Jonah Jameson with the gang problem that Spider-Man himself started just to piss off JJJ is quite delicious. Yep, I'm loving this series, too! Still enjoying the silly letters column, even.
Thumbs Up

Dark Reign: Young Avengers #3
Speaking of great recap page concepts, this series has a good one, too: it's a blog! Inside, we get to see the "Dark" Young Avengers getting tested for inclusion in the real Young Avengers. The test consists of each member of the former group teaming up with one member of the latter group to perform tasks like fighting helicopters and Hydra soldiers. The way Cornell jumps from one scene to the next, stringing the dialog together on the connecting phrase "an Avenger," is vaguely clever, but also kind of annoying. Coat of Arms' origin story is quite odd (maybe it'll be explained further later on?), but it's good to finally know the truth about the Enchantress. It's interesting how the one team of Avengers goes about grading the other team of Avengers, and how each team is affected by the other. Kate's conversation - the real one, and the one she wished she had - with the Executioner is enlightening and disturbing. I loved getting glimpses at a couple more of Coat of Arms clever, funny, postmodern art pieces. And of course it's intriguing learning that Osborn is keeping a close eye on this whole situation, and apparently expects something to come out of it soon that will be to his advantage. This is a really unique, thought-provoking series with some excellent dark comedy.
Thumbs Up

Ignition City #4
I already knew someone was going to say "Science will fuck you!" in this issue, because Warren Ellis tweeted about it before the comic hit the stands, but knowing it was coming, and seeing a mad scientist kick his door open holding a homemade laser, shout out that ridiculous and fantastic phrase, and then blow some crap up and scare off a couple of bad men, was really another thing entirely. An awesome thing. That character's dialog is wonderful throughout, actually. He may be my favorite person in this book so far, and there were already a number of great people here. He and Mary now both know the terrible, impossible secret that got Mary's Dad killed, but it remains a mystery to the reader. We also get an intriguing but mostly unilluminating glimpse at the post-apocalypse the guy from the future has seen. This is a good, exciting comic. It smells of science!
Thumbs Up

Kid Colt #1
This is a one-shot I picked up mostly on a whim. It tells in four chapters an adventure in the life of one of Marvel's old timey Western heroes: the titular Kid Colt. Rick Burchett's art is quite nice, and writer Tom DeFalco tells a reasonably engaging, classic Western story about a fantastically talented young gunslinger running from the law because he's been accused of a crime he didn't commit. Unfortunately, although it's unobjectionable, the story is also rather bland, predictable, and unimaginative. Certainly not terrible, but definitely a disappointment.
Thumbs Sideways

The Muppet Show: The Treasure of Peg Leg Wilson #1
Yay, a new Muppet Show miniseries from Roger Langridge! As usual there's a lot of stuff going on, but the main plotline revolves around an old treasure map which Scooter finds while cleaning up a storage area, and which the rats take very seriously. There's a great subplot involving a tap-dancing ninja, and another one about Animal getting all straight-laced and boring. Kermit is acting equally oddly, but whereas Animal's condition is explained, Kermit's is not. I wouldn't be surprised if it turns out that's not really Kermit at all! At the end of this issue, Animal is tired and lost, and everyone signs a get well card for him. It's sweet and funny and even a little sad. It's the Muppets and I love it.
Thumbs Up

The New Avengers #55
We jump back in time to get a look at what happened to The Hood's gang at the conclusion of the big fight in New Avengers #50, then we get an amusing look at how the Avengers are really trashing Bucky Cap's place and it's kind of pissing him off. Frankly, I like Ronin's plan to just kill Osborn, and I think Spider-Man's being a little stuck-up and nitpicky about the whole thing. And wow, did the Avengers fall into that trap like a bunch of idiots or what? And wasn't that the exact same trap they tried to set for Osborn and his gang earlier? D'oh. All in all, a pretty decent story. Can't say I find the preview in the back for Vengeance of Moon Knight all that tantalizing, though. Don't think I'll be picking that one up. Moon Knight just doesn't do it for me.
Thumbs Up

Son of Hulk #13
This book is going off in a completely new and weird direction. It's now in the hands of a new creative team (Paul Jenkins writing, Andres Guinaldo drawing) and it's jumped back in time to follow the refugees who escaped the destruction of Sakaar. But if it's not about Skaar anymore, you might ask, then why is it still called Son of Hulk? Because it turns out the Jade Giant left yet another kid behind on Sakaar without knowing it. This one's a former slave named Hiro-Kala. (Hiro. Riiiight. Very subtle.) But how the heck did Hulk have another son?? Where did this kid come from? It doesn't even make any sense. And I am seriously sick and tired of all the back and forth about the stupid world-breaker/Sakaarson/life-bringer prophecy. I don't care anymore whether the prophecy's true or false, whether somebody just made it up or not, or whether this guy's going to break the world or that guy's going to save everyone. They've led us down too many different paths with this thing and dicked us around on it too many times. I've had enough. And Hiro's going to go after Galactus now, too? There's already another miniseries going on now about a guy going after Galactus (Beta Ray Bill: Godhunter), and it's much better written than this.

So yeah. Not really a fan of this issue. But the good news is that means I can now drop this book again.
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Star Trek: Mission's End #5
I really love how this miniseries comes to a conclusion in this issue. Kirk swoops in and saves the day just like we knew he would, of course, but the other characters get to be heroes, too. Mr. Scott's cold, hard, calculating tactics against the Orion fleet are particularly bad-ass. And I really love how the spider king develops as a character, and makes a powerful, culture-changing choice for his people. The idea of the alien artifact turning into a doorway into another dimension that the spiders and crawlers all walk through is also really effective and intriguing. Then the Orion pirates are disposed of in satisfying fashion. In a cute and funny sequence, Kirk finally gets the girl... but then pushes her away to offer her a promotion instead. And hey, check out the dude in the first panel on page 17. That's Han Solo making his way off the Enterprise! Thanks to artist Stephen Molnar for that wonderful little cameo, and the excellent art throughout.

The final scene of the book is perhaps the best, however, as the old school Star Trek trinity - Kirk, Spock, and McCoy - have a revealing conversation which works as a fascinating examination of their relationship with each other, and of them as individual characters, and which believably and realistically explains why each of them ended up where they were at the start of Star Trek: The Motion Picture. The events of this miniseries have led all of them to take a deep look inside themselves, and they've all come to some disturbing conclusions. Spock has realized he's still troubled by emotions and he needs to see if he can purge them once and for all; McCoy has realized that he's too old for this shit (especially if Kirk's not going to be in the Captain's chair to save his bacon anymore); and Kirk has realized that if the people higher up the chain of command are making poor decisions, he needs to get up there himself so he can make better ones.

This is a truly excellent series. Author Ty Templeton really understands these characters and what makes them tick, and brilliantly bridges the gap between the original TV series and the films. Highly recommended for any fan of old school Star Trek.
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Toy Story: Mysterious Stranger #3
I was confused at first as to how this was going to hold together as a miniseries, given that each story so far has been a one-shot story-wise, but I'm realizing now that the title of the series is the recurring theme that runs through each episode, and in fact each story has a very similar plot: the toys encounter something new and strange, initially react to it with fear and paranoia, but then ultimately learn how to deal with it and sometimes even embrace it. In this case the new element they have to deal with is Andy's dog, and the fact that he's seen them walking and talking and thus knows their secret. This poses an interesting problem for the toys, but is ultimately resolved when they help the dog out and make friends with him. It's not clever, complex art or anything, but it's a fun enough little tale.
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Wednesday Comics #4
Batman - It's been done before, but I enjoy the panel where Bruce's shadow takes on the shape of the Batman. And hey, Mrs. Glass is hot, and it looks like Bruce is about to score with her!

Kamandi - There's really just a couple quick moments of action in this one before it's all over, but man, Ryan Sook's art is just so beautiful, you've got to sit back and admire it for a while.

Superman - Clark's still back home in Smallville, trying to work through his sudden attack of ennui with the help of a corn dog! Things get a bit more interesting at the end of this episode, as he steps into the family barn and takes a peek at what I assume is the Kryptonian ship he crash landed in.

Deadman - This one's growing on me. It helps that this episode includes lots of action-packed demon fighting and big, dramatic art.

Green Lantern - Speaking of great art, check out Joe Quinones' great work in this strip. There's also some great further characterization of Hal Jordan and his buddy Dill via an amusing flashback. Gotta say I think Busiek's doing a much better job handling Jordan as a character here than Johns is doing in the current Green Lantern book.

Metamorpho - This episode we go back to normal comic book format (stuff happening sequentially in separate panels, instead of all at once in one giant panel) and the plot suddenly takes a leap forward - namely, we meet the Element Woman Urania Blackwell and learn that she'll be Rex's enemy and competitor in the search for the Star of Atlantis. Should be fun. But why does Metamorpho look so weird and creepy in the penultimate panel?

Teen Titans - Still sucks. It's too bad, too, because I really like the cartoon.

Strange Adventures - With Adam zapped back to Earth, we're now left to follow the adventures of his super hot, super bad-ass, punk rock girlfriend, Alanna-Sardath. She escapes the mandrill aliens on a giant greyhound! Needless to say, this is another awesome episode full of fun dialog; ridiculously lush, creative, and beautiful art; and exciting action.

Supergirl - Okay, the face-off between the cat and the evil-looking mouse illustration is funny. But mostly I still just don't care about this strip.

Metal Men - Now that a supervillain has suddenly revealed himself, this story has gotten a bit more interesting. And the dialog is kind of funny. But there's still something about it that's keeping me from really loving it. Not sure what. I guess I just don't care about these characters all that much.

Wonder Woman - Still cluttered and dumb.

Sgt. Rock and Easy Co. - Finally something almost sort of happens! But yeah, I feel like I'm still waiting for the story to pick up and get going. It's so dull!

Iris West and The Flash - We get to see the straw that broke the camel's back as far as Iris and Barry's relationship was concerned, but then the two Flashes enact their plan to split up and woo Iris and defeat Grodd at the same time. The wooing part seems to be going all right, but the defeating Grodd, not so much. In fact, it looks like the Flash is caught in a kind of time loop there; he was actually defeated before he even got to Grodd. These two strips are ridiculously clever and fun.

The Demon and Catwoman - The Demon finally gets to really let loose with the cool, poetic language in this one. I like!

Hawkman - This has easily been the worst strip in Wednesday Comics throughout its run so far, but in this issue it gets totally crazy and epic and action-packed. We pull out to the planetary scale and the rest of the JLA starts to get dragged into the story. Then Hawkman finishes things up by beheading his enemy and delivering a ridiculous but oddly hilarious and bad-ass one-liner. Kyle Baker could save this strip yet!

Go, Wednesday Comics, go!
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Tagged (?): Avengers (Not), Blackest Night (Not), Brian Michael Bendis (Not), Comic books (Not), Dark Reign (Not), Geoff Johns (Not), Hulk (Not), Muppets (Not), Paul Cornell (Not), Pixar (Not), Star Trek (Not), The Take (Not), Toy Story (Not), Warren Ellis (Not), Wednesday Comics (Not)
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Welcome to the blog of Jim Genzano, writer, web developer, husband, father, and enjoyer of things like the internet, movies, music, games, and books. For a more detailed run-down of who I am and what goes on here, read this.

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