|Saturday, October 24, 2009 04:12 PM|
| by Fëanor|
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 9/23. Beware spoilers!
Final Crisis: Aftermath - Dance #5
Super Young Team reunites, but of course they have to do it on a Dr. Phil-like talk show. Then it's time for the big showdown. Is that Mr. Mind in Rising Sun's head? This issue wasn't as fun as previous issues, but I'm hoping the conclusion will be exciting.
Wolverine: Old Man Logan Giant-Size #1
Two of the most disturbing comics I've ever read came out the same week. This is one of them. There is so much in this book that is disgusting and wrong. It's depressing and horrific to see what's become of Bruce Banner. I mean, inbreeding and cannibalism? Ugh. And yeah, Wolverine is tough, but it's a little hard to believe he'd be able to kill the entire Hulk family so quickly and easily. I mean, the Hulk is practically impossible to kill! The odd ending with Wolverine riding off into the sunset with little baby Bruce on his back is almost too cute. An impressive and explosive - but also sickening and slightly disappointing - conclusion to a great series.
The Incredible Hercules #135
I keep ditching this series and then picking it up again. This issue I had to get because it focuses on Amadeus Cho, one of my favorite characters, and it connects back to the old school Master Mind Excello stories. The introduction is done up as a combo of a Choose Your Own Adventure novel and a D&D module, and that thematic premise is carried forward throughout the rest of the book in a really clever and funny way. I'm impressed! But I think I'm leaving this series alone again until something similarly clever pops up.
Monsters, Inc.: Laugh Factory #2
This issue features the return of Mr. Waternoose, and the reveal of a powerful new "Master Door" technology. But just as in the first issue, interesting ideas that have the potential to be developed over an entire series are introduced and hastily resolved in only one issue. This series still feels rushed and clumsy, and is definitely not living up to its source material.
The Muppet Show: The Treasure of Peg Leg Wilson #3
I enjoy the amusing board game gag, and the rather moving scene between Animal and the fleas. But yeah, this could be better.
The New Avengers #57
I am so loving this art, but the incredibly wordy thought bubbles are not so good. Show don't tell, Bendis! It's also a bit hard to believe that the crippled rogue Avengers could have escaped from the united forces of Norman's Avengers and the Hood's entire gang. Of course, Norman catches up with them almost immediately, but still. At least the ending is dramatic and exciting, and the subplot with Loki and the Hood is a ton of fun.
No Hero #7
I said earlier that two of the most disturbing comics I ever read came out this week. This is the other one. The conclusion of this miniseries makes it clear just how appropriate the title is. There are indeed no heroes here. The superhuman security team secretly controlling the world is morally bankrupt and awful. The agent sent in to destroy that team is a horrifically twisted, homicidal individual. The people and nations who have joined together to send him in are just as terrible; they don't want freedom for the world, they just want to steal back their power from the superhumans. And once the evil superhumans have fallen, the whole broken world falls with them. All is death and horror and evil. Even for Warren Ellis, this is an incredibly dark and depressing and cynical story. But also incredibly powerful and well told.
Star Trek: Spock - Reflections #3
More fascinating gap-filling recollections from Spock. First up is a telling meeting between T'Pring and Spock that takes place between the events of the original TV series and the first movie - she really does know him well. Then another example of how Kirk would commit daring acts of bravery that flaunted the regulations, and he'd still somehow get results. And then a moving letter from Picard explaining Kirk's death. This is really a fascinating and powerful series.
Superman: Secret Origin #1
A really emotionally effective, totally human and believable, and somehow wonderfully original retelling of Superman's childhood - how he learned to deal with his incredible powers and with the revelation that he's not from Earth, and even how he first met his nemesis, Lex Luthor. Once again Johns and Frank are a dynamite combination.
Wednesday Comics #12
Batman - Batman lets some shameless, murdering hussy find out his secret identity, and then kisses her while she's bloody and dead? I just don't buy it! This should not be a Batman story.
Kamandi - It's a bittersweet ending, but Kamandi still has some hope of finding more of his kind. Definitely one of the most beautifully drawn stories of the series, even if it didn't always move me.
Superman - A weirdly anticlimactic ending. The threat of danger at the end of the last episode is immediately defused and deflated at the start of this one, and everything is suddenly just fine. A little disappointing, but I do like that Batman got to save the day, and that Superman is now feeling at home again.
Deadman - This conclusion is pretty interesting. Deadman finds himself having to do the dirty work of Hell to maintain the balance he upset by interfering earlier.
Green Lantern - A fun, cute ending to one of the more solid and entertaining strips.
Metamorpho - Heh. The French chef and his helpers get left behind during the escape. I like the silly previews of future Metamorpho stories that will never be. This was an uneven strip, but definitely had its moments.
Teen Titans - Absolutely the worst strip in Wednesday Comics. Terrible from beginning to end.
Strange Adventures - One of my favorite strips has one of my favorite final episodes. Absolutely beautiful. "And the days roll by, one by one... days of strange adventure."
Supergirl - This strip ends with a really cutesy, Twilight Zone-style surprise reveal. Yawn.
Metal Men - A surprisingly moving, if also rather corny, conclusion to one of the less interesting strips in the book.
Wonder Woman - The lesbian make-out session between the villains in this episode is pretty much the only interesting thing that happens. Once again the action is so cramped, poorly drawn, and laid out that it's nearly impossible to tell what's going on. Lame. Just lame.
Sgt. Rock and Easy Co. - This strip was mostly a huge disappointment to me, but this final episode has a bit of a twist ending that's actually quite moving.
The Flash - One of the better strips wraps up in true postmodern fashion, by concluding the action in a comic strip inside a comic strip. As Iris points out, it "doesn't make any sense at all," but it's still a ton of fun, especially when Barry whisks Iris off to the restaurant at the end.
The Demon and Catwoman - This strip was uneven, but this last episode is sexy and cute.
Hawkman - For about half of this strip's length, I really hated it, but then it took a sudden turn toward the totally awesome. This ending keeps the awesome going, as Hawkman kills a T. Rex by carving through to its brain from inside its mouth while Aquaman keeps its jaws open. Then there's this exchange - Superman: "Sorry we're late, Batman. There was a black hole in hyperspace. Don't ask." Batman: "Save the Earth, and all is forgiven." Heh.
Although the strips themselves were uneven, Wednesday Comics was a wonderful experiment and a great format in which to deliver comics. I hope they do something similar again in the future.
|Tagged (?): Avengers (Not), Batman (Not), Brian Michael Bendis (Not), Comic books (Not), Final Crisis (Not), Flash (Not), Geoff Johns (Not), Green Lantern (Not), Greg Pak (Not), John Arcudi (Not), Mark Millar (Not), Monsters (Not), Monsters Inc. (Not), Muppets (Not), Neil Gaiman (Not), Pixar (Not), Star Trek (Not), Superman (Not), The Take (Not), Warren Ellis (Not), Wednesday Comics (Not), Wolverine (Not)|